E-40 - REVENUE RETRIEVIN' - (Album cover + release date)

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Feb 22, 2006
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40
#86
that last 40 album was not that bad, but of teh songs that were bad, they were awful.

but for some reason i liked that hook, maybe it was the voice "der she goes sliding down that pole." the voice was different (the song sucked tho, if that is a preview of what teh History Channel was going to sound like, i'm glad that album never dropped)

But it had slaps of course, it just didn't sound like an album 40 would put out...but if i had access to akon and t-pain, why not get them on a song.

40 always got good raps, i just hope it sounds better overall...

looking forward to this
 

Elemenno

F.W.A.H.R.L.D.
Feb 28, 2009
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#89
read this

http://submergemag.com/featured/revenue-retrieval/894/


Yeah, I mean “Tell It Like It Is” for all the game, but the one that bugs me out on a creative level with the wordplay and whole concept is “40 Water.” People don’t make songs and flip shit lyrically like that anymore.

Yup, they don’t, man. That’s what I’m saying. All that stuff, they don’t get like that anymore. It’s gotta be all dance. They want it to be all dance. It’s a trip. What it is though, like, who wouldn’t want to put Akon on their album? Especially at that time. And you know, I’ve been at this for 20 years, so OK, let me roll the dice and try some different stuff. The “Wake It Up” record was a good record, but my fanbase… Fanbases can be stubborn. They don’t want me to do a song like that. They would accept it from anybody else, but they didn’t want me to expand and go beyond what I’ve been doing, and that’s keeping it all the way mobbed out. And even my fanbase turned its back on mob music, which is the heavy basslines and the certain sound we were rolling with in the ‘90s. My fanbase, being the Bay Area, started buying up Southern music. They turned their back on the sound that we were doing, so I had to readjust and do whatever I had to do as far as music and adjust, but not go too far out of my jurisdiction. Do just enough to get by and for my fanbase to accept me. Basically, it’s a tricky a game. It’s either turn with the times, or the times will turn on you. A lot of times, the way hip-hop is, and I’m not griping, but I just feel like I’m way way way ahead of my time. I know people think I’m wack. Like a lot of cats on the East Coast think I’m wack, and the reason is because you can’t comprehend what you don’t know. And if you don’t know, how can you comprehend it? You know what I mean? It goes over their heads like a flying saucer. Then, a lot of cats don’t have the patience to look at creative rappers. They want you to rap a certain way, because that’s the only way they know it. They want you to rap like all the other rappers, and I’m not going to do that. I want to be in a class by myself. It’s fucked up that I have to readjust or downplay my skills to adjust to today’s listeners. You smell me? It ain’t cool. On this upcoming album, though, I’m free. I can do what I want. I can just be me and if a motherfucker don’t like it, they don’t gotta buy it. I’m gonna be the E-40 from the beginning. Mr. Flamboyant.
 

R

Sicc OG
Dec 7, 2005
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#92
with this cd not bein on a major i bet this fuckin cd is his best since charlie hustle , no pressure to impress big wigs at the label . just earl makin mob slaps for his real fans. every one of his cds is great but this will be epic
i hope so
 

B.C.

Sicc OG
Mar 12, 2005
462
56
0
#97
I hope this is the one from 40 that I've been waiting for. This should be a classic album. I would love to hear some Studio Ton and Mosley beats on this one. Either way it goes I'm snatchin it up.
 
Apr 25, 2002
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AM I THE ONLY ONE WHO LIKED "BALL STREET JOURNAL"? I THOUGHT IT WAS WAY BETTER THAN "GHETTO REPORT CARD" BUT THIS NEW ALBUM LOOKS LIKE IT'S GONNA BE THE BEST 40 ALBUM SINCE "HALL OF GAME". I DON'T KNOW ABOUT GETTING A BONER OVER IT THOUGH.
I don't know what these mofos listen to but BALL STREET JOURNAL is a very dope cd. It's very good to listen to on a long road trip.