My Input
Check this. Back in the days a engineer got all the production credit. Hell back in the days, wasn't too many artist or beatmakers that were getting their proper credits, or royalties.
Today, music is changing, and growing. Artists are more indepth with knowledge of the industry and want their proper credits.
The word PRODUCE means to make. If someone made the beat, they should get production credit. If they don't, that's between them and the dude who got the credit.
In most cases, some producers will sit the back seat for someone with a bigger name like Dr. Dre or Quincy Jones as it will help to get them more $$$$.
A classic example is Ghostwriting. At first, ghostwriters didn't get their credits in the J-Card (they settled with the publishing points and the upfront payoff) but they do now. YOu know why? Everybody wants their credit now.
So now as you notice with most CD booklets, there isn't just a producer. There is a producer and an engineer. The beat maker should get the production credit, and the engineer, engineer credit. If not, then should we say:
Cool Nutz, I gave you the idea for that song. Shouldn't I get writing credit?
Tadou, I mastered your whole album, I deserve production credit. (Especially mastering is basically no different from engineering. You are tweeking and already made product)
D-Sane, I told you to take that snare out and replace it with a different sound, Don't I get the production credit?
I wrote every song on my album but you put up the money. I still should get Executive producer because their my songs.
See all of this is BS! Simply divide them.
ARTIST: Person who performs the song
WRITTEN By: Person(s) who composed the song
PRODUCER: Person who made the beat
ENGINEER: Person who recorded, and mixed the song
MASTERER: Person who mastered the track or album
EXECUTIVE PRODUCER: Financial institute who made it possible
In the end, the credit is decided by the person who makes the J-Card or CD Booklet. Hopefully my comrades will come to terms with this. And one more thing....
If you get production credit or engineering credit and you only mixed the song. What does it matter? You got credit for your work. Nothing to go this far about.
WWW.BWR2000.COM
Heat from Mr. D.O.G.
Heat from Mac Money
Heat from the Senator
Kennel Insight. June issue now up with reviews of Mac & AK, Eminem, C.I. and more
The Homies @ Jus Family
The Homies @ Street Level
Check this. Back in the days a engineer got all the production credit. Hell back in the days, wasn't too many artist or beatmakers that were getting their proper credits, or royalties.
Today, music is changing, and growing. Artists are more indepth with knowledge of the industry and want their proper credits.
The word PRODUCE means to make. If someone made the beat, they should get production credit. If they don't, that's between them and the dude who got the credit.
In most cases, some producers will sit the back seat for someone with a bigger name like Dr. Dre or Quincy Jones as it will help to get them more $$$$.
A classic example is Ghostwriting. At first, ghostwriters didn't get their credits in the J-Card (they settled with the publishing points and the upfront payoff) but they do now. YOu know why? Everybody wants their credit now.
So now as you notice with most CD booklets, there isn't just a producer. There is a producer and an engineer. The beat maker should get the production credit, and the engineer, engineer credit. If not, then should we say:
Cool Nutz, I gave you the idea for that song. Shouldn't I get writing credit?
Tadou, I mastered your whole album, I deserve production credit. (Especially mastering is basically no different from engineering. You are tweeking and already made product)
D-Sane, I told you to take that snare out and replace it with a different sound, Don't I get the production credit?
I wrote every song on my album but you put up the money. I still should get Executive producer because their my songs.
See all of this is BS! Simply divide them.
ARTIST: Person who performs the song
WRITTEN By: Person(s) who composed the song
PRODUCER: Person who made the beat
ENGINEER: Person who recorded, and mixed the song
MASTERER: Person who mastered the track or album
EXECUTIVE PRODUCER: Financial institute who made it possible
In the end, the credit is decided by the person who makes the J-Card or CD Booklet. Hopefully my comrades will come to terms with this. And one more thing....
If you get production credit or engineering credit and you only mixed the song. What does it matter? You got credit for your work. Nothing to go this far about.
WWW.BWR2000.COM
Heat from Mr. D.O.G.
Heat from Mac Money
Heat from the Senator
Kennel Insight. June issue now up with reviews of Mac & AK, Eminem, C.I. and more
The Homies @ Jus Family
The Homies @ Street Level