"DOIN' THAT" BY CLYDE CARSON IS NOW FLO RIDA'S SONG ?????

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Dec 6, 2006
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#21
The sad part is Clyde has been signed to a major longer than Flo-rida so i cant really blame J.R because he wants to make money for the beat and at this rate clyde will never put a album out.If Clyde woulda put out a video for the song he wouldnt have to worry about ppl stealin it but being lazy cost him anotha hit,
 
Sep 20, 2005
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#24
The sad part is Clyde has been signed to a major longer than Flo-rida so i cant really blame J.R because he wants to make money for the beat and at this rate clyde will never put a album out.If Clyde woulda put out a video for the song he wouldnt have to worry about ppl stealin it but being lazy cost him anotha hit,
from what i read here a while ago they wouldnt clear the version with sean kingston. Sean kingstons label wouldnt allow it
 

dhurt

Sicc OG
May 9, 2002
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#29
That's terrible. This will probably be the closest we get to a Clyde Carson mainstream joint lol...can't really blame Clyde or Flo though, and to be honest, Flo's don't sound that bad...I'd probably rock to it in the club...I just woulda rather it been Clyde but fuck it, chalk another hit up to politics and bullshit

On a side note, I remember that DPE shit...didn't realize that was JR
 

C-4

Sicc OG
Apr 25, 2002
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#31
the difference with a lot of those songs though is they usually don't come out until it's the final version of the song, a lot of these beats and hooks do get whored out until they get bought by the right artist or label, but usually u don't hear somebody's version of the song until it's official, but Doin That has been all over the place, whether it was released by Clyde himself or the label, who knows, but it has been public for hella long

the Who The Fuck Is That was out too, the song was originally Loon's, and he's taking action on them right now, don't know if he got a leg to stand on with it, cuz he said in a interview he was still working on getting Jive to clear T-Pain when they went and let Dolla use the song

Fabolous song with Ne-Yo "You Make Me Better" was a Jay-Z song
 
Jan 22, 2007
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#32
1ST off producers send out the same tracks to diffrent artist,label heads, and A&Rs everyday. Plies shawty song with t pain on it originaly was a BG song and young dro also dmessed with it but did not make a hit out of it so Atlantic waited until they had a hit song to give the song to the artist. Who the fuck is that was not orginaly dolla is was someone else but he did not make it a hit like dolla did. Sensual Sucdution snoop newest song was done by shawty red 1st. This happens everyday. Kayne West did a song for 40 last album but the track was selected in a radio station contest before 40 could get at kayne and let him know he used the track. Now if Clyde already paid for the JR ROTTEM track and has his work for hire paper work filled out right then there can be a lawsuit. Dont start jumping the gun.
The song by C.C is already available digitally and has been played on the radio....It is one thing to have the same beat, it's another thing to take the hook and beat...I've heard both versions By C.C with and without Kingston so Flo must have just heard the other version and thought it be nice to put on his myspace, because I'm sure C.C is still pushin' this song....
 
Apr 23, 2006
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#34
lmfao ahhahahaha im thizzin right now and that beat kciked in and i was goin and shit but then this faggot came out withe rasta voice ahahahahaha fuck him with 60000 plays thats bullshit takin clydes shine and shit




oh yah red CU's cot' daynm them shits is sum hitters
 
Jul 22, 2003
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#35
Thats some weird shit.

1.Clyde song is on the radio

2.Available Digital

3.Pressed up on 12" Vinyl Officially (Not on a bootleg or comp) and it has capital record label ...but this was the version with Sean Kingston


I also read an interview where Clyde Carson said the record label woul not clear sean kingston but then hes on JR Rotoms label?!

Weird shit...Clyde got fucked out a potential radio joint
 
Feb 16, 2006
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www.thebayisback.com
#36
The federation I wear my stunna glasses at night was on the radio and could have been downloaded as well without all the paper work signed. Your points make no sense sorry. until clyde carson comes on here and says capital took care of business its my song then yall can get pissed off. But this is the music business maybe clyde leaked it to radio and the song did not jump off like they thaught it would so they decided it did not make since to pay JR ROTEM top dollar for the track and wants to use his budget for something else.
That Federation song wasn't available on itunes....dunno about other legal digital stores.
 
Sep 12, 2007
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#38
Producers send out tracks to many different A&R's, artists, etc. JR likes to send out tracks with Kingston already on the hook.

Atlantic wanted that track for Flo, but they slept, Carson snatched it up.

Beluga Heights is a co-venture with Epic Records. Epic makes the final decisions. We wanted Sean to be on it, because it should have been a hit and we want Sean to have street edge as well. Epic wanted Sean to maintain his "Beautiful Girls" image, which we didn't want.

Finally after a while, Epic gave in (since most of the hooks Sean does are more hip-hopish) cleared Sean, and Capitol tried to regain the momentum that was lost when they were forced to stop the "leak" to radio. It's hard enough getting spins for a single, 10x harder to tell a radio station to stop playing, and then give them an OK 4 weeks later, thinking they will start spinning it again.

Anyone can take any beat and rap to it, I can take a old Dr. Dre beat and spit on it right now. But the right to distribute it on an album and make money off it must be paid for and you have to have contracts for it.
 
Jan 22, 2007
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#39
Producers send out tracks to many different A&R's, artists, etc. JR likes to send out tracks with Kingston already on the hook.

Atlantic wanted that track for Flo, but they slept, Carson snatched it up.

Beluga Heights is a co-venture with Epic Records. Epic makes the final decisions. We wanted Sean to be on it, because it should have been a hit and we want Sean to have street edge as well. Epic wanted Sean to maintain his "Beautiful Girls" image, which we didn't want.

Finally after a while, Epic gave in (since most of the hooks Sean does are more hip-hopish) cleared Sean, and Capitol tried to regain the momentum that was lost when they were forced to stop the "leak" to radio. It's hard enough getting spins for a single, 10x harder to tell a radio station to stop playing, and then give them an OK 4 weeks later, thinking they will start spinning it again.

Anyone can take any beat and rap to it, I can take a old Dr. Dre beat and spit on it right now. But the right to distribute it on an album and make money off it must be paid for and you have to have contracts for it.
Then who has the rights???