BayUndaground.com reviews thread

[Bart fka KhameNei]

We decided that it would be better to put all our reviews into one topic instead of having them scattered all over the place. We'll constantly expand this topic once the new ones come up.

And oh, obviously you can read them also on BayUndaground.com - in the Reviews section.

The first one is:
DaVinci - The Day The Turf Stood Still
Sweetbreads Creative Collective (2010)
Rating: 4/5

01. Intro (skit)
02. The Day The Turf Stood Still
03. What You Finna Do?
04. Real Niggaz
05. Aristocrat
06. Ben
07. Whiplash
08. Round Me
09. Do What It Do
10. Guys Wanna
11. Long Chain
12. All I Have
13. Idle Mind
14. Concrete Jungle Juice
15. It's On Now
16. Ghetto To Mars
17. See Another Day

J. DaVinci is a young rapper representing Fillmoe in San Francisco, who's active in the Bay Area music scene for some time now. So far fans could lay their hands on his mixtapes as well as street albums titled "Street Release" and both parts of "Butter and Gunz" (read the review). Now, simply as DaVinci, under the wings of Sweetbreads Creative Collective he releases his first official solo - labeled by some as the "debut" one - entitled "The Day The Turf Stood Still". You should also note that in order to give this project a bigger buzz, the label decided to have it available for free download. However if you want to, you may still do a regular purchase and support the artist. From what I know, pressed, physical copies are not that easily accessible, yet they do exist and I'm pleased to tell you that they look really good. The disc itself has a high quality printing, plus it was inserted into a nice digipak.

While reviewing previous cds, I was always comparing DaVinci to another Fillmoe representative, equally talented performer by the name of Ya Boy. I did it for purpose, because they both feature a similar, grown up voice and a knack for nontrivial, original and multiple rhymes. However the currently reviewed "The Day The Turf Stood Still" clearly depicts the essential difference. Ya Boy puts mainly an emphasis on an intelligent entertainment, on the contrary you won't find any entertainment in its primary meaning round here. Tempos are rather slow, instrumental background calm, smooth, often sampled, melancholic and the rapper himself talks about things that are far from amusing and hyping up the crowds. The artist is not interested in bragging who's the toughest on his block, how many inches his rims have or how effective his pimp mouthpiece is. Out here you'll be surprised to notice that the dominating motives include the social, economical and political ones. Well, there's obviously also a place for telling one's story as well as mentioning the drug traffic and other shady business going on. There's even an ode to money ("Ben") where the personified Benjamin Franklin (president from the 100-dollar bill) follows DaVinci and keeps company in his everyday life - a big homie. And this is basically the way rapper handles the majority of his subjects; when he talks about violence, he doesn't glorify it, rather looks for a cause and blames closures of schools in the surrounding area. On top of that you'll get exquisite rhymes, that only confirm the artist's fine craftsmanship and finally prove that the vocal side of this project is of a very high quality. On a typical rap cd interesting word plays appear occasionally, while out here it is really difficult to find a played-out piece. Just have a look at the part of DaVinci's verse:

All that hatin' from afar
You best put it behind you
Unless you can dodge the bullets like Keanu
'Cause when I decide to
I'm gon' ride through
And leave'em bloody like piru
I'm a West Coast version of Malcom X times two
Locked up and shot at a couple times too
But look how I grew

What is more, DaVinci shows that he doesn't need any big names by his side, that's why he came up with a 100% thoroughbred solo, where it's only him throughout all 16 tracks. The artist evidently took a step towards a so-called lyricism, typical for the East Coast, which is only intensified by occasional scratches in the background and sampled production; well, if these are self-made melodies, then I pay homage to their creators. Anyway, they all did remarkable job and provided a solid dose of serious, laidback vibes rich in instrumental setting. The most work was put in by Sweetbreads Creative Collective in-house people, as Alex Jieh and Ammbush are responsible for 10 songs, while the remaining ones were composed by Big G, Kris Styles as well as Alejandro. Unfortunately "The Day The Turf Stood Still" has a couple of slight glitches. For instance some tracks (6) are a bit short, yet still exceed 2.5 minute. Moreover I don't fully feel the "Long Chain" cut - I love these nice guitars playing in the background, but distorted rhythm made me unable to bob the head to it. DaVinci also had a few slip-ups in the single "What You Finna Do?", where he sometimes missed the beat, but it's just an exception, he normally handles it perfectly. All in all, the currently reviewed album is a great piece of work, a rap for a more demanding customer, craving for an artist to bring not only a regular chatter, but also a set of crafty rhymes and lyrics alluding to the surrounding reality. All of you who are interested in either a purchase or a legal download, I highly encourage to visit the label's official website.

Alex, thank you for providing the album for the review.

 

[Bart fka KhameNei]

Lo-Dub - Decomposed
Bloccknock Entertainment (2010)
Rating: 4/5

01. Lo-Dub 24 Barz Intro
02. Decomposed f. N9no Brugato & Lil Yac
03. Swangincircles f. G-Macc
04. I Go Sic f. Lil Yac & Nine-One
05. Everytime f. Calico 101 & Southeast T
06. Closer 2 Death f. Black C
07. Lay-Low aka E Da Gunna (skit)
08. If U Got A Prob f. Lay-Low & E-Rock
09. We Cold f. N9no Brugato
10. Merkin f. Lil Yac
11. tWiStEdSiCCnESS
12. Kill Em Dead f. Calico 101 & NiggaRo
13. Put U In My Closet f. G-Macc & Brotha Lynch Hung
14. Deep Sleep f. N9no Brugato & L.C.G.
15. Bac Of Da Club f. Keyd & Big Lou
16. On Da Bloc f. Boss Hogg, Lay-Low & Lil Yac
17. (skit)
18. Reazonz 4 Murda f. G-Macc & Calico 101
19. We Gon Roll f. N9no Brugato & Nine-One

Lo-Dub is an underground artist from northern California, who lived in many cities throughout the years, born in Oakland and raised in Richmond. He debuted back in 2004 with a self titled project of the group 3 Way Funk. Shortly after Scweez left the crew and now only with the brother E-Rock as Bloccknock Bros they both recorded the mixtape "Bomb First" in 2007. The newly founded Bloccknock Entertainment record label also released a debut cd by E-Rock in 2009, yet Lo-Dub appeared with his first album "Decomposed" a year later - March of 2010.

The currently reviewed project by Lo-Dub is something entirely different than the hitherto endeavors from Bloccknock. Anyway, the title "Decomposed" itself as well as the cover depicting a toe-tagged body under a sheet should prompt that this cd is closer to not that popular in northern California horrorcore sub-genre rather than the traditional, street type of rap. Fans of such vibes focused mainly on recordings by the Sacramento artists: Sicx, Brotha Lynch Hung or G-Macc, out of which the 2 latter ones dropped fresh projects in 2010, including the incredibly well-acclaimed "Dinner And A Movie". As far as the Bay Area scene is concerned, the undeniable propagators of the style include the likes of Triple 6, ADR Lavey, Redrum of Deep Sleep Records, Malice and Mars. It would not be wise to overlook Lo-Dub in such a listing, as he prepared a really solid dose of horror and gore.

In contrary to for instance early Lynch's recordings dominated with peculiar atmosphere of suspense, which musically meant slower tempos and disturbing sounds, out here horror barges in pretty rapidly, dynamically, with full force. If I were to draw a movie analogy, I would place "Decomposed" in the slasher category, with a serial killer running around, butchering victims with a sickle, then dragging them to a squalid vacant, where he performs hideous acts in the depths of basement. Yes, indeed such sick, suggestive visions come to my mind when I listen to for example the title track "Decomposed", "Merkin", "We Cold" or "Deep Sleep". It is also occasionally less energetic and a bit more thrilling or psychotic when "tWiStEdSiCCnESS", "Kill Em Dead" or "Reazonz 4 Murda" hit the deck. However don't expect to hear storytelling like the one I portrayed above, as Lo-Dub tends to flood the audience with a series of drastic flashes, ill similes and brutal thoughts that don't necessarily make a coherent unity. Listening to verses performed by the host is a pure pleasure. I don't even talk about the vocal capabilities, as they seem kind of natural to him - he smoothly follows various rhythms and easily changes pace while spitting out yet more lines with his low-pitched, angry voice. I rather mean the fact, that artist's bars are filled front to back with extremely polished, crafty, multiple rhymes as well as untypical vocabulary. I do pay much attention to a lyrical layer of rap projects and I'm perfectly aware that it is not that common to receive such phrases in a row as "hardcore", "matador", "predator" and "metaphor". Another track features following rhymes: "vision", "incision", "mission", drippin'", "decomposition" and "competition". Equally interesting word plays were brought by almost all invited guests, which even surprised me more. Please have a look at a piece of Lo-Dub's verse from "We Cold":

Decapitate these fakes fast with the razor blade
I spit it out like AKs
And I'm dippin' out in the hater's face
And I'm still sick, cruisin' the whip
Grippin' the crucifix
That ill shit, that peel shit
That maniac music

This macabre full of blood, corpses and murders is not present in every song. Next to horror you will also get more traditional yet still dark and hard cuts about haters ("Everytime"), one's past endeavors ("Closer 2 Death"), beefs ("If U Got A Prob") or self-explanatory "Bac Of Da Club" and "On Da Bloc". There's even one track dedicated to sideshows - brilliant "I Go Sic" that's among my favorites off the hereby album. Obviously the overall effect wouldn't be so electrifying if it weren't for the accompanied music, detailed and rich in samples. Fortunately, it is normally of high quality and perfectly matches the lyrical content. Major props to the following composers: Hardkore Rap Beats (5), Realbeatz (3), Jinxbeatz, Mister K.A., Manhuntbeatz, Arjae Knox, Brokken Mirrors and Sedata. Let me tell you a little something about guest appearances as well. Among the known ones you'll hear such artists as Brotha Lynch Hung, G-Macc, Calico 101, Black C and Boss Hogg. However there are also verses by talented, underground rappers like Lil Yac from Fresno, N9no Brugato out of Portland, Nine-One representing Chicago and more. "Decomposed" is promoted with a single "Put U In My Closet", which is paradoxically the only song that I'm not feeling; I just can't get into its music and vague rhythm, that can be handled neither by G-Macc nor Lynch. I'm generally not quite content with G-Macc's bars, as he seems to be flowing off-beat and loses all melodiousness, which is clearly audible when you compare him to Lo-Dub who always comes correct with every rhyme matching the drum hit. It doesn't change the fact though that the currently reviewed solo is definitely a breath of fresh air in northern California's market and a must-have for sick tunes fans. I hope that the host won't rest on laurels and will soon come out with the announced "Mortician" follow-up album.

Everyone who's interested in this project should visit artist's MySpace page, where you can buy "Decomposed" for a nice price.
Lo-Dub, thank you for networking and providing the album for the review.

And off the review, props to CoatHangaStrangla for promoting this album out here too!

 

[Bart fka KhameNei]

Maka-Mill and The Greedy Jew present Takez Money 2 Make Money
Greedy Mak'n Entertainment (2008)
Rating: 4.5/5

01. Workin Man's A Sucka - Duecey Duece
02. So High - Maka-Mill, Craze, Money Grippa & Duecey Duece
03. Hood Rock - V-White, L-Dubb & Yukmouth
04. Dummy - Shawny Deez, Maka-Mill & L-Dubb
05. Neva Slow Up - Killa Tay, Triple X & Lozo
06. They Don't Know - Jacka, Duecey Duece & Maka-Mill
07. 707 - Feddy Hustle, Maka-Mill & Shawny Deez
08. So Cold - Dubee, Shawny Deez, Young Nate & Dr. Sauce
09. Dangerously Dumb - Tony Francis, Greedy Jew, Maka-Mill & K-Shayde
10. Handle My Thizzness - Doff Kapone, Maka-Mill & L-Dubb
11. High Performance - Uso Babe, C-Fresh & Maka-Mill
12. Shake Yo Town - T-Nutty, Lozo & Maka-Mill
13. Bay Hoggz - Jonny B & Maka-Mill
14. Same Thoughts - Maka-Mill, Duecey Duece & C-Fresh
15. Holdin Heat - Money Grippa, Hollow Tip, Maka-Mill & Jonny B
16. Puss Pusher - Dubee, Cadillac Mike, L-Dubb & Maka-Mill
17. Sucka Duckin - L-Dubb & Mistah F.A.B.

I haven't heard so far about th rapper Maka-Mill hailing from Vallejo or about the producer by the name of The Greedy Jew who are both presenting the hereby compilation. "Takez Money 2 Make Money" is a product of a strict underground which is only confirmed by a lack of a bar code. Nevertheless it is contradicted by brilliant vocals and production that make this project a really noteworthy piece of entertainment.

Even though the artists themselves claim in-between the lines that they record a hyphy material, I simply cannot agree with that. First and foremost only occasionally will you hear any lyrical symptoms of this sub-genre, meaning poor in merit lines, where everything revolves around popping pills, acting an asshole or doing donuts in a scraper. Something like that appears fleetingly in "Dummy" as well as "Dangerously Dumb", but even then the production is far from sloppy, computerized, ultimately low-level and trivial sounds. Instead you are served a big, hard music rich in mesmerizing and catchy samples. I really need to admit that the beats are a very strong asset of this project, as I haven't heard that many polished melodies on one cd for a long time now. You'll mostly get up-tempo, dynamic paces, slumping drum hits and a set of vibes that do feature a modern touch, but at the sam time tend to comply with West Coast tradition. It is essential to mention the original and impressive guitars, present in a couple of cuts, including for example "Hood Rock" or "High Performance". Props mainly to Greedy Jew, because he's the one responsible for the vast majority of tracks; he was accompanied by Ryonic, Gabe Brueske, Luigi The Citizen, Feddy Hustle, Young T and Roman Jewelz. What is more, the remaining beats were composed by Woody as well as Baby Bubb.

Amazing instrumentals are complemented with equally polished vocal side. Truth be told, you will hear inadequately many recognizable artists from northern California: two appearances by Dubee and C-Fresh, also performances by Jacka, Hollow Tip, Killa Tay, Young D Boyz, Fabby, Yukmouth (whose verse us unfortunately jacked from "Never Let Em See You Sweat" off the joint project with Tha Gamblaz) and others. Yes, the veterans did hell of a job, however the advantages of the album do not rely solely on that. Please acknowledge that you will mostly receive 3 verses per song and there's a lot of 17 of them! Back to back with the known figures, you'll see a gang of underground rappers and each and every one of them surprised me with his professionalism, creativity as well as undeniable experience. I won't even speak on such rudimentary aspects as keeping up with the rhythm, because it's all handled flawlessly. What's more important, the artists expose their emotions and stun with carefully thought out, crafty rhymes and word plays:

I'm from the city where hustlas grind for more chips
And gangstas bust in your face like a porno flick
(...) snitchin on a nigga, that's a no-no, bitch
That's why niggas gon' get off on that loco shit

This was just a more or less random quote from Lozo's verse, but I could as well take something from Maka-Mill who can be recognized by a young, high-pitched voice; vicious and hoarse Money Grippa or Jonny B; even from an incredibly resounding Triple X who could have left something more than a verse and a hook, since he grabs listener's attention with his untypical tone. Unfortunately I don't have enough space to list and rate every single performer, please note though that bars go perfectly with the production, leaving a huge dose of energy. Also keep in mind that "Takez Money..." is mainly an entertainment, so do not look for extensive lyrical delivery , as it mostly deals with representing one's region, showcasing a swagga, a little bit about cars ("High Performance"), women ("Puss Pusher") as well as haters ("Sucka Duckin"). The inner strength of verses is hidden in smart similes, interesting word plays and funny punch lines. The currently reviewed comp is problematic, because I'm unable to point out the best tracks. When I listen to "Neva Slow Up", I think "brilliant". Then there's an equally great "707" followed by "So Cold" - so soaked with Dubee's style and the list goes on. This album is so overcrowded with heavy slappers that it's difficult to let it aside. Only starting with "Same Thoughts" th tempos slow down; and I consider "Dangerously Dumb" and "Puss Pusher" a bit worse musically (yet still decent!). I obviously highly recommend this project, it is one of the best compilations in the past few years.

 

[Bart fka KhameNei]

Various Artists - Known Associates 2
Apt. 3 / DNA Entertainment (2008)
Rating: 3.5/5

01. Intro / Northern Warriors - Ten Dolla, Louie Loc, SOS & Baldhead Rick
02. Be Easy - Cellski, Dutch & Ad Kapone
03. Mr. 187 - Malice & Mars
04. Cash - Woodie & 11/5
05. Younger Days - JT The Bigga Figga, San Quinn, Devo, Ive Low & Seff Tha Gaffla
06. Mr. Walgreens - ADR Lavey
07. Make Some Noise - C-Fresh, Ad Kapone & Tony Francis
08. Fast Lane - Ten Dolla
09. Really Tho - Big Mack
10. C-Fresh Interlude (skit)
11. Clap To This - C-Fresh
12. Crazy Shit Remix - Totally Insane & Baldhead Rick
13. Solano County Blues - Tony Francis
14. Off Top - 11/5
15. Keeps It Gangsta - South Central Cartel
16. Set Your Block On Fire - C-Fresh & Spice 1
17. Malice's Panic Attack - Dush Tray, Malice & Baldhead Rick
18. My .45 - Black Madness & Cougnut
19. Cougnut Tribute Outro (skit)

01. Mr. Baller - C-Fresh
02. Standin On The Corner - RJ
03. Vacate The Room - Taydatay, Louie Loc, Charlie Manhattan & Young Droop
04. The World's A Cold Place - Young Noble, Nutt-So & Ray Luv
05. Ballin' Now - Fly Mar
06. King Of The Devil Block - ADR Lavey
07. Tragedy - Louie Loc & Cougnut
08. Chalk It Up - 2-Illeven & Labeled Crazy
09. 1-8-7 - 3rd Dagree
10. The Game - Baldhead Rick, San Quinn & C-Fresh
11. This Is How We Roll - Dig, Big Vic, Big Mack & Charlie Manhattan
12. Straight Up Thugs Part 2 - Guce, Mr. Kee, Baby Menace & Cougnut
13. Unforgiven - Louie Loc & Mickey Moe
14. Theme Music Interlude - Nasty Nate
15. Clown Suit - Sco-Loc, Chunk, Black Madness, Nut Case & Ad Kapone
16. Killin' & Dope Dealin' - Young D Boyz
17. Bangers - C-Lim, G-Macc & Tre-8
18. Cali Corners - Baldhead Rick
19. Gangsta Shit Part 2 - Black C, San Quinn, Big Bread Ed, Maine-O, C-Fresh & Hennessey
20. ** bonus: short Cougnut verse and outro **

Apt. 3 and DNA Entertainment record labels should already be known to listeners of independent Bay Area rap, as they have already promoted such artists as ADR Lavey, Malice or Triple 6. However they are mostly famous for polished, not your average compilations. So far classic mob type fans could grab such projects as "Apartment III Soundtrack", "Theme Music To Drug Dealinz & Killinz" and "Known Associates", that were relentlessly showcasing equal, high quality level, but unfortunately were slept on and ultimately didn't receive expected positive acclaim - at least in my opinion - from the audience. Same story relates to the most recent piece created by Big Ant and Gabe: "Known Associates 2".

The sequel compilation is in many aspects similar to its predecessors. Mainly due to the fact that you will hear lots of recognizable artists who network with these labels for a long time now. Among them you will definitely get the likes of C-Fresh, Totally Insane, Baldhead Rick, ADR or Young D Boyz - it's a pity though that you won't find Doff Kapone this time around, however Tony Francis appears three times, including a solid 2-verse solo "Solano County Blues". What's interesting, "Known Associates 2" features exclusively performances by rappers, who should already be known to Bay Area rap fans; I say it on purpose, because it was so far characteristic that right beside big figures there were talented rookies showcasing their endeavors. Among many noteworthy verses I should point out the unreleased and unheard ones by the passed out Woodie and Cougnut. Generally the vocal aspect came out really decent - all artists just confirmed their craftsmanship. I only wasn't necessarily pleased with incredibly played out and deprived of any merit bars by Cellski off "Be Easy" as well as monotonous in the long run "Fast Lane" solo by Mac-10 aka Ten Dolla. I still think though that the currently reviewed compilation is a bit worse than the previous part of the series - "Known Associates". I mainly feel that there's a lack of head-turners, stunning songs, the ones that I'm anticipating and when they finally come up, I turn the music up; you know what I mean. Even now I remember the melodies from "It's Goin Down", "No Means Yes" or "This Is How It Goes" (all these titles come from "Known Associates"), but unfortunately the new endeavors by Malice ("Mr. 187") as well as 11/5 (both "Cash" and "Off Top") are pretty good on one hand, but on the other don't fully impress. I lay the blame on indistinct production - it is nice, yet nothing special indeed. Nevertheless there are a few standing out cuts as far as music is concerned, for example "Mr. Walgreens" or "Keeps It Gangsta" - classic mob type beats, once so characteristic for the West Coast market. Basically the above statement could summarize the whole musical setting, because Apt. 3 and DNA Ent. record labels don't necessarily move with the times and don't serve production that even remotely resemble the contemporary computerized, fast-paced vibes of the hyphy mannerism. Everything was cooked as per old school, traditional, proven recipes. A lot of 7 tracks was composed by TC who's already known to listeners and 3 by Big Drawz, while the remaining ones were handled by Cellski, Malice, JT, Ghazi and more. "Known Associates 2" will definitely be appreciated by the 90's rap fans, as nowadays it's extremely hard to find such a non-modern compilation filled front to back with northern California stars. It doesn't change the fact though that in my opinion previous parts were slightly better in terms of production, featured melodies simply more extensively encouraged me to bob my head and pat my feet.

This product is a double disc project and the bonus one is in fact the "Theme Music To Drug Dealinz & Killinz" compilation from 5 years back. It was put in here for a reason, because as time passed the demand for it grew, yet units were not accessible any more. The ones who haven't had an opportunity to snatch it while it was still available, this is a perfect timing to get it in fact for free together with "Known Associates 2".

 

[Bart fka KhameNei]

Lil Jazz - Gemini Files: East Side Story
Cashflow420 Rec. / Immaculate Music Group / Maddlock Rec. (2009)
Rating: 4/5

01. Slow Down
02. Give It Up f. Q-Ball & Mac Lo
03. Hold Up
04. U Don't Wanna
05. Thoroughbred f. Birdman
06. I Used To Have Love For Her f. Jevon
07. I'm Tha Shit
08. Game Check
09. Get Your Fetti On
10. You're My Lady
11. What I Do For A Livin'
12. Club Joint f. Mac Lo, Pizzo & Q-Ball
13. It Will Neva Happen f. Jevon
14. Feel The Tension
15. Turf Deals f. Cali Black
16. Lucky Charmz f. Skip Dog
17. Rezidentz Ov Da Flatz f. Pizzo, No Face Phantom, Young J, Hemi, Mac Lo, Cool V, Lil Dre, J-Dubb & Jum Dog
18. From Da 4

This review will expose my ignorance in terms of Fairfield (707 area code) rap scene. Unfortunately I was so far only fairly aware who in fact represents this city and was familiar merely with endeavors by Pizzo, The Federation and E.Z.S.D. It turns out that I missed out on a lot, because Lil Jazz has indeed plenty to offer. The currently reviewed "Gemini Files: East Side Story" is a sort-of a comeback, as the artist debuted way back in 1996 with a solo "Game4usuckaz" and then came out with a duet recorded together with Skip Dog entitled "Madd Currency" and nothing since then. The very end of 2009 brought the sophomore solo project, after a 9-year hiatus.

Lil Jazz reminds me a bit of the above mentioned Pizzo, but only in terms of voice, because despite his age he's characterized by a high-pitched note and an adolescent tone. However similarities end there, as the artist flows more smoothly and skillfully on various beats. What's interesting he doesn't take a typical for the majority of rappers pause after each bar, which is clearly audible when he shares a track with the likes of Q-Ball or Mac Lo. Due to that he doesn't put such a distinct emphasis on rhymes or punch-lines, rather continues with the rest of the verse, hastily spitting out yet more lines. It shouldn't be considered a disadvantage, more of a relentless type of style. Fans of his previous recordings as well as admirers of 90's West Coast vibes shall note that Cashflow420 Records label cared for the served production to resemble the one from the Golden Era of the Bay Area rap. The major part was handled by K-Lou and T-Roy who created 7 and 5 tracks respectively. The music undoubtedly brings back good memories and in no way sounds like these modern, electronic twangs from computer synthesizers. One of the most important factors is the fact that in the background of numerous songs you'll hear a clear, noticeable sample, thanks to which the whole cut can be recognized right after a few seconds. You may find it on such characteristic tracks as "Hold Up", "U Don't Wanna", "You're My Lady", "From Da 4" and many more. The production as a whole is of an extraordinary quality and is definitely one of the most significant assets of the album. It's important to note that beats do not solely consist of looped pieces; additional vibes do appear unexpectedly and there's often more to come during hooks. The rest of the songs were brought to you by B.C., Money Moe, Tony Tone and Cali Black. On the other hand the subjects of Jazz' verses do not necessarily stun, as they present a rather standard set of possible themes that include presenting one's greatness, lacing others with proper game lessons, stacking up money in "Get Your Fetti On", where the artist mocks people who showcase big rims but cannot afford to pay for gas. What is more, there's a little bit about women ("I Used To Have Love For Her", "You're My Lady"), street hustle and a real solid dose of representing Fairfield with an unquestioned leader in the front row being "Residents Ov Da Flatz" that features 10 full-length verses by more or less known residents of the city. Bear in mind that you receive 18 professional, polished tracks (10 of which are solos!), which doesn't happen often these days. It ultimately means almost 80 minutes of music taken straight from the mid 90's. I repeat this on purpose, as this is definitely a valid point for fans claiming that "they no longer do the rap they used to" or "current recordings are trash". Eventually I'd also like to point out a tiny glitch that came out during mastering phase. On a couple of songs you'll hear infrequent clicks, digital pops; something like vinyl distractions. It's a bit strange, since the overall musical setting is crystal clear and was put work into; it doesn't spoil the the good impression though.

If you're interested in buying the new solo by Lil Jazz, here's a grip of handy links: Cashflow420 Records, Lil Jazz and

.
Shortly before the premiere, the artist got locked up, so this is probably the last album by Lil Jazz you'll ever see.
Cashflow420, thank you for providing the cd for the review.

 

[Bart fka KhameNei]

Review of some throwback (yes, these 7 years passed fast as hell), dark, horror type of shit:

AOD - Noncomposmentis
Aod-Org Productionz (2003)
Rating: 4.5/5

01. Introduction
02. Obstacles
03. Ripped 2 Bitz
04. Tears
05. Sacrilegious - Young Sinn & First Degree The D.E.
06. Broken Silence - Zicafeckt
07. Late Night f. Neba Konezer
08. Nothing At All
09. Head Up
10. Getaway
11. Times f. Playa Rae
12. All Bottled Up
13. Living In The Dark f. Evil Poetry
14. Rap Fan - Neves & Elemental
15. Thoughts Of Sinn - Young Sinn
16. Unholy Roller - Neves
17. Now Its Gone
18. Introduction Blacc Mass

AOD is unfortunately still an unknown group, whose members represent various places in the northern California. It consists of Young Sinn, Zicafeckt, Neves, View 1 and Madnus. So far you couldn't hear them anywhere else, apart from appearances of single people on even more underground releases than this one (ex. solo "Casualties Of Life" by the 831 area code rapper Gemini). The reviewed "Noncomposmentis" cd is the group's debut and its content turns out to be equally unusual as its title.

Even some native English speakers may have problems with deciphering the title; "non compos mentis" stands for an insane person, the one unable to control its mind. Just take a look at the cover and think whether it resembles any "normal" rap album. You should know though, that it's been made deliberately as AOD members do not talk about the streets, drugs, cars, whores or parties; unless not in the way you got used to. This record is more of filled with various thoughts regarding life, interpersonal relations as well as sick visions and horror-like scenery meant to shock and thrill the listener. Therefore you will hear tracks about hardships and constant obstacles on our way, about self-confidence and breaking the chains put on by the society or even about lost love. These dark type of songs - or shall I say "barbaric" and "indecent"? - are mostly performed by Young Sinn and Neves who talk about the sin, death, Bible and madness. This can be depicted by the below quote:

I spit about the darkness, cause the light ain't where I'm living
I dwell amongst the shadows, cause the night is where I'm sinning

Very solid and polished lyrical layer is accompanied by decent vocals. These are mostly handled by Young Sinn (deep and vicious voice), Neves (a little confused and unclear) as well as Zicafeckt, whose flow is more young and charismatic. View 1 appeared only on a couple of tracks, while Madnus even on fewer. However all artists can handle their verses without any problems, when you hear them following the rhythm and keeping up the pace, you can say that they are pretty experienced. Apart from the above praised subjects I should also point out the untypical vocabulary and in consequence extraordinary rhymes. Now let me tell you a little something about one of the most important aspects of creating a gloomy mood. I obviously mean the production and probably won't surprise you by saying that it also doesn't follow the strict rap rules. You'll constantly be followed by disturbing vibes playing in the background. Get ready for distressing instrumental samples (like pianos), but also for odd add-ons such as sinister laughter in the distance or a water dripping. Production is indeed high quality and you can easily hear it when you compare this album to any other underground (yet debut!) release. Beats were made by Sinn, Zicafeckt, View 1 and Elemental. I'm well aware of the fact that the above described style won't suit all of you. On the other hand if you are fond of Brotha Lynch Hung's records (meaning also the production by Phonk Beta) or for instance the one by Apt. 3 / DNA Records then you should really see what rappers from AOD are about.

Unfortunately not long after release date Neves passed away. In 2009 another member - Young Sinn - has left this world. Bearing in mind that Madnus is locked for life, we'll never get another cd recorded by all those people.

 

[LethaFace]

Ed Dosia - A Negative Mindset
Lock Jaw Music
Rating: 4/5

01. My Time Is Now
02. Can't Stop Me f. Zak1 & Spice 1
03. Drugs f. Knuckles & San Quinn
04. Its Official
05. Beast
06. Better Man
07. Hustle With Precision f. Mac El & L Seven
08. Firepower f. Snow The Product
09. See Me Buzzin f. Spawntanious & Big Lou
10. Temptations + bonus track
11. It's Gangsta f. AP.9, Keek Dogg, Incognito Gino, Mr. Kee, Rhino & Zak1
12. Drunk Manner + bonus track
13. The Wait Is Over f. Zak1 &; J-Smoove
14. In The Building f. Zak1 & Whiplash
15. Suicide

Ed Dosia is a Latin rapper who's representing Newark in the 510 area code in the East Bay Area. Homeboy rap fans should recognize him as a member of the 14 Caliber group, as he participated in its debut album called "Through The Eyez Of A Pit" from the year 2003. Back then he was signed to Starz The Limit label, which was responsible for the above CD and also gave him a chance to drop some guest verses on such projects as Speedy Loc's or Tito B's solos. After a 5-year long hiatus he's freshly back in the game with a debut solo endeavor.

Somewhere between March and April 2010 the first personal project by Ed Dosia entitled "A Negative Mindset" hits the stores. I'll remind you that he was not featured on the second release of 14 Caliber ("Home Sweet Home") and is officially no longer a member of the group. However I wouldn't like to spread some rumors about beef between these rappers, that's why I'll quote Ed Dosia's words: I'm not 14 Caliber anymore, I do my own solo thing right now, but I'm still good friends with them and I support them and their music. This Newark artist has not only left his former crew, but also stopped recording a typical Norteno gangsta rap. What you receive in return is a very personal and deep project, where Ed Dosia speaks about his life issues, weaknesses and struggles, but also emphasizes that it's high time to revive and jump in the game with both feet. It's hard not to agree that he's indeed back as the reviewed album is a piece of a solid rap, made with hard work, heart and soul. The cover itself might not catch attention of an average rap fan (however in my opinion it's very peculiar in a positive way and perfectly reveals the nature of this project), but the guest appearances definitely will. We'll hear such well known Bay Area figures as Spice 1, San Quinn, AP.9 or Mr. Kee, plus performances by Redwood City representative Zak1, Keek Dogg of 14 Caliber and other local artists. Quite impressive list of invited emcees hasn't overwhelmed the host, who left 9 solo cuts (including hidden bonus tracks on #10 and #12). In fact Ed Dosia had mostly opened lyrically on these solos, touching on different personal topics like father issues, alcohol problems, suicide thoughts or other sinful temptations. What's more, he had also dedicated a part of his writings to self-advertisement and bragging, which not only emphasize his rap comeback but also a life recovery, that gave him confidence and optimism.

The whole lyrical message was brought with charismatic and fast-paced flows by Ed Dosia. He's usually keeping rather mild-fast tempo, but sometimes he speeds up extremely. Unfortunately it is the reason for rare, yet noticeable rhythm slip-ups. Nevertheless rapper's high-pitched and passionate voice along with his vivid flow create a great show of vocal abilities. The album was completed with an exquisite production. It's hard to properly match it with only one rap sub-genre as it's rather diverse, but it's certainly solid and polished from the beginning to the end. Loud, distinct bass lines and unique sample loops are the major advantages of the production, however it's notable to say that the beats are often heavy and gloomy or sometimes even depressing, which creates an excellent, original ambiance. The keyboard was mainly handled by Knuckles, who delivered 8 cuts, but Mic The Producer is also worth mentioning as he composed 2 delightful knocks. The rest was brought by Jack Diamonds, Just H, Viz Da Kid, Krayzie and Keek Dogg & Jimbo. "A Negative Mindset" perfectly shows rapper's nature, referring both to his personality and vocal talent. I may truly recommend this album not only to Latin rap fans, but also to those of you who care about mature lyrical side and also to a regular rap listener, who would definitely enjoy the melodious and polished production out here.

 

[LethaFace]

Soldier Hard - Boots Laced Up
Stoned Underground (2009)
Rating: 4.5/5

01. Boots Laced Up
02. If I Die In Battle
03. I'll Be There For You f. Dego
04. Go Head Baby
05. I'm A Warrior Part 2
06. Jus Wanna Luv Ya f. Luciano
07. I Don't Wanna
08. We Coming Home
09. Traicionera f. Alfonso Medina & Baby D
10. The Military Wife Part 2 f. Dego
11. I Go Dummy f. Pody Mouth & Dego
12. Where I'm From f. Yung Zune
13. Who Dat f. Young Ro
14. Stunnah Shades On
15. The West f. On Deck
16. Say Good By f. Aries
17. Soldier Hard Interview (skit)

Solider Hard, who's one of the loudest military voices in northern Cali rap releases his 6th official solo project in 2009. We've already had a chance to grab 3 of his long plays, an EP and also a greatest hits compilation - all these in less than three years. Still young, yet lyrically mature artist represents not only the Bay Area turf, but primarily people affiliated with the army.

From day one Soldier Hard is far from being a typical emcee, as most of his music tells about life and times of a soldier. Same recipe is used on "Boots Laced Up", which discloses its content with a title and a cover. Most of the themes refer to the ones we've heard on previous endeavors, including troops' issues, their feelings, thoughts and homesickness. Some people might think that SH's projects became lyrically repetitive, which is confirmed by sequel songs like "I'm A Warrior Part 2" and "The Military Wife Part 2". There's no need to worry about it though, as the rapper put a bit of new and fresh vibes into his art; audible for instance in club tracks like "I Go Dummy" or a hyphy one called "Stunnah Shades On". You'll also hear about the streets of northern California in slaps like "Where I'm From" and "The West". Nevertheless the main attraction is the drama and sorrow passed through the words of many other tracks, mostly situated in the first half of the album. Regardless of the topic of the song, Soldier Hard is leaving great verses filled with emotions and his charismatic voice. It's clear that he was not only born to handle the rifle, but also a microphone. Smooth flow perfectly matches his pleasant voice and lets the message get straight to listener's ears. Solid effort was also put into production, which had its ups and downs on previous projects. I was really amazed with professional and polished beats on "Boots Laced Up". The whole team of composers held the music on the highest level. Hereby I thank people like Smee, Luciano Pacheco, Sinima, Plucks, Hygrade Prod., Baby D, DubbsAttic, Young C, Purp Beats and Ansane. Faster tempo with lively melodies are mainly represented by songs like "Boots Laced Up", "We Coming Home", "I Go Dummy" and "Stunnah Shades On". Nonetheless there's a huge space filled by soft vibes with catchy hooks, where a few were delivered by RnB artists like Chesca and Luciano. My favorite of those more laidback anthems is "Traicionera" with guest appearances by Alfonso Medina and Baby D - both rapping in Spanish. It doesn't really matter if the song is a thought-provoking laidback track or a fast-paced club slapper, everything was planned and perfected. The final rating has been lowered a bit because of low budget exterior. The album was pressed on a poor quality cd-r (can't even play it in my car audio system), while the cover (a single sheet) was printed on a lousy paper. However it doesn't make the music worse, so don't judge book by its cover and get yourself a copy of this project, for instance on websites like CDBaby.com or Kunaki.com. Soldier Hard's fans may agree with me or not, but I really think it is his best album so far.

 

[Bart fka KhameNei]

Akazie & Rukus - The A&R Repz Mixtape
Heartless Entertainment (2008)
Rating: 3.5/5

01. Who I Be - Rukus & Akazie
02. Cannon - Rukus
03. Hotter Than Iraq - Akazie
04. How It Iz - Akazie & Gordo
05. Do It For You - Rukus
06. So Soft - Cheddar & Loco C
07. Swangin - Rukus, Cheddar & M.A.
08. Gangsta Hoodlife - Piggz, Rukus & Gordo
09. All I Do - Akazie
10. Reppin' Time - Akazie
11. 64 Kilogramz - Akazie
12. Thug Shit - Akazie, Loco C, Tony Cardenas & Redeyez
13. Full Time Rival - Akazie & Redeyez
14. Snow White - Akazie & Loco C
15. Run Dat Shit - Akazie & Loco C
16. Betta Skream - Akazie
17. Stay Breakin Da Law - Rukus, Piggz & Bubba
18. Horror Flickz - Akazie
19. Throw Ya Hoods Up - Akazie & Piggz
20. King Kong - Sanman, Akazie & Rukus
21. Hood Life - Rukus, Loco C & D.E.O.
22. Some Kingz - Rukus, Akazie & Mobs

Heartless Entertainment record label is not planning to stop and is releasing another mixtape. After solo projects from Rukus and Akazie from Elk Grove in the 916 area code it's high time for their joint album. As far as its format is concerned we'll still get typical mixtape, which means slim case and a CD-R.

So far I only had a pleasure to listen to the very good debut by Rukus, so I'll need to compare "The A&R Repz" to it. I received yet another portion of rap that was put much work into; in particular very decent verses from title artists. Both rappers hardly changed in the last two years. They undoubtedly are versatile, flow on all beats smoothly and can interest the listener with their lyrics thanks to charismatic voices, accurate punch lines or choruses. I also have to admit that rhyme connoisseurs will be more than pleased to hear Akazie, who definitely dominated the whole cd with his crafty word plays. Just take a look at the tracklist to see for yourself that you won't get the thoroughbred collaboration as the artists perform together only on 3 songs. That's why we'll obtain verses from a few equally famous people representing not only Sacramento, but for example San Francisco (Loco C, Evenodds or Redeyez). Generally guest appearances are decent, however I'd like to point out good and numerous verses from the above mentioned Loco C and fast ones from Cheddar. Comparing this album to Rukus' debut I unfortunately have to say that it lacks tracks that would really impress me. They are all "just" good and nice to listen to, but no big hits in my opinion. It is possibly due to the fact that there is almost no exclusive production by Akazie. Okay, I know that he produced 3 cuts, but it is at the same time 3 times fewer than on "Middle Fingaz Up". These artists proved more than once that they can handle solo albums. Other than that they sound at least great on hardcore, mob type, club type or serious tracks. What is more Akazie is a real beast when it comes to beats and he's able to make such music that will be remembered and is bringing the best out of the fellow rappers. Therefore I think that it's high time Heartless Entertainment started releasing full-length albums and stopped messing with mixtapes. I recommend this cd; remember it can be downloaded from the Internet for free.

 

[LethaFace]

Lefty - And Then There Was... Lefty
Deep Sleep Records (2010)
Rating: 4/5

01. 41530 f. LSE, Pistol Cee & Sleepy (22B)
02. Dopefiends f. LSE
03. Celebrating f. LSE
04. Change Of Thought
05. On Fire
06. Country Hoe
07. She Got It f. Sleepy (22B) & Loco Sin Freno
08. Tailgating f. Cuddie Cut & Mateo Net
09. Best Friend f. Sleepy (22B)
10. Don't Be Scared f. LSE
11. Drive Me Crazy f. Sleepy (22B)
12. Like Us
13. Wiggle f. LSE
14. Dirty Five Thirty f. LSE

Deep Sleep Records is a young, yet very enterprising label which mostly signs homeboy rappers. We've already had a chance to meet people like Pistol Cee, Lil Duce (R.I.P.), Cuttyboy or Redrum, as they released over 5 official projects. The majority of their previous music referred to gang affiliations / street life and unique, psychedelic themes. The beginning of 2010 brings label's latest album - a debut cd by Lefty, who's been featured on Redrum's sophomore solo, "Strangulation IV" and "No Suckas" compilations.

You may think that Lefty's vocal craft would not be too professional due to lack of experience on wax; and ultimately the whole album would turn out to be a failure. I must admit that I bought "And Then There Was... Lefty" just after it was available in pre-sale at CD Baby and I didn't even bother to listen to the snippets. After I heard his verses on "Dear Satan" I believed that his solo would be at least good and worth my money - and I wasn't mistaken. I didn't regret my rash decision as I received a very interesting project from the 530 area code representative. Lefty's biggest advantages are his flows and voice, which sound fresh, energetic and hoarse. His verses are filled with emotions and are spit in rather fast tempo, which he can easily switch to a slower one. I was expecting to get a lot of thought-provoking and deep lyrics on this release, after what was heard on Redrum's latest solo. The reviewed album is yet not that specific and original int erms of lyrics as "Dear Satan", but it has its moments where Lefty shares his personal thoughts. You'll definitely find them on tracks dedicated to rapper's life and his experiences with women and close friends. However the majority of the material is touching on typical street topics like representing Northern Cali, especially the 530 and 415 area codes, where most of the Deep Sleep members are from. After I listened to the cd more and more I started feeling not fully satisfied with the lyrical side. There are of course a few ambitious tracks like the one called "Change Of Thought" talking about Lefty's ex-girlfriend, but it's minority. The overall level of the album is definitely raised by host's delivery, which is full of accurate metaphors, relevant rhymes and catchy choruses, which might be depicted by one from "Change Of Thought" track:

You've been a crazy bitch
Got me goin' crazy with your craziness
I'm hating this
How you got feeling anxiousness
I'd rather die than be with you for the rest of my life
I've changed my mind, I ain't tryna have that for wife

The equally vital role in the project's quality was played by guests and the producer - Sleepy (22B). The composer delivered all of the beats and what's more, he also did the mastering and the artwork. It is not the first time for Sleepy to prepare the whole music for the album as he's already supported Deep Sleep Records on their previous releases. His production is very original and professional, yet the one he did on this cd wasn't in my opinion as great as the one presented on solo projects by Redrum or Pistol Cee. Anyway, the music on "And Then There Was... Lefty" is still good and typical for street rap from Northern Cali. Unfortunately it's missing more distinct bass lines and sophisticated samples, as some of the beats sound similar to one other. Maybe it's the fact that I was expecting to hear the musical masterpiece, after what I've experienced on previous DS albums. I'll also add that there's a mistake in the tracklist - songs 5 and 6 are switched, which has been corrected in the listing provided above. Overall the debut album by Lefty is a very solid piece of rap, mostly thanks to rapper himself and his undoubted vocal talent. "And Then There Was... Lefty" is a decent release that should find its place in every Deep Sleep Records fan's cd collection.

 

[Bart fka KhameNei]

Chilee Powdah & Moss Da Boss - Underground Heavyweights Vol. 1
Real Rich Entertainment (2010)
Rating: 3/5

01. Underground Heavyweights f. Dough Gunna
02. Henny & Bacardi f. Troy The Barber
03. Rhinoceros
04. Grind For The Paper f. Beeda Weeda
05. You Know What I'm Talkin' Bout f. Ya
06. All In Her Ear
07. She Love My Style f. PZ
08. Gettin' In My Mode f. Gemimi
09. Take Control
10. You Know I Ball f. Cydwaiz
11. Four 18's f. Bully Wiz
12. My City f. Matt Blaque

Chille Powdah and Moss Da Boss are both Richmond representatives. Despite pretty developed discography they still haven't earned greater acclaim among northern California rap fans. The first artist has already released numerous albums including the most recent "Stunnaz On My Face" and "Code Of Loyalty", while Moss has mostly recorded local mixtapes, but he also has a group album under his belt - a 2002 "Looks Can Be Deceiving" in collaboration with Kuzzo Fly under the name of Kuzzos. The beginning of 2010 brought their joint street album, lead by Rico Rossi of Real Rich Entertainment.

The currently reviewed "Underground Heavyweights Vol. 1" is available for free download due to extensive promotional campaign; links are provided below. Don't expect to receive yet another mixtape filled with played out mainstream beats. One of the album's advantages is the 100% original production brought to you by Rico Rossi, among others. Because it is a non-profit endeavor, distributed mainly digitally, the label decided to go with a modest slim case with a high quality front cover only. The beginning of the cd strikes the listener with an unexpected avalanche of sounds. The first couple of tracks are filled to capacity with heavily modern music with lots of electronic samples in the background; with a mainstream / TV feel to it. I need to admit that I flinched, as this is far from traditional Bay motives, however after a couple of spins I started feeling this oversaturated mixture. On the other hand I'm still not able to listen to gaudy "Rhinoceros". Due to the above it is best to bump "Underground Heavyweights" loud in your car system and let the rhythm kidnap your body. Fortunately there was also room for less vigorous songs, among which you may find nice, calm, pimpish cuts such as "All In Her Ear" or "Take Control". If you want to hear a little more about hollering at chicks and taking them to the nearby mo-mo, there are always additional "She Love My Style" and "Gettin' In My Mode" for you. Rappers will most probably not surprise you with lyrical content of their verses, so you'd better get ready for a portion of bragging (for instance "You Know I Ball"), money stacking ("Grind For The Paper") and representing Richmond ("My City"). Both artists came out decent as they can smoothly handle any pace without problems, plus they often tend to put good quality rhymes into their bars:

She was happy when I found her
I said "come and have a drink with a big money counter"
Yeah the shots kept comin'
How I look? She said "stuntin'"
One bottle, two bottle, three, it's nothin'
Yeah, she see me outside sittin' on them leather buttons

However it doesn't change the fact that both Chilee and Moss show too little emotions when they are on the mic. Each track is the same as far as expression is concerned, they only thing that differs is the tempo of spitting words. It's a real pity that "Underground Heavyweights Vol. 1" is such a short album - it doesn't even last 40 minutes altogether. It was mainly caused by the tendency not to record full-length 16-bar verses. All artists mainly focused on 12- or even 8-bar instead. And this is plainly audible, as the hook shows up too fast. That is why additional verses by guest appearances are of much importance out here; they let us bob a head a bit longer. I haven't been familiar with the majority of features from here, yet I need to admit that all of them impressed me. The final thing I may complain about are uncomplicated, computerized hooks, with only a couple of words looped - plenty of such. One may think that chorus is not a significant part of a track, but eventually thanks to it a particular cut stays on our mind. The best ones were featured on these pimp / sex type of recordings; that is why I consider them catchy and one of the brightest parts of this project: "All In Her Ear", "She Love My Style", "Gettin' In My Mode" as well as "Take Control". All in all, Chilee Powdah and Moss Da Boss recorded a decent album with a few glitches, whose main purpose is to provide a 40-minute long dose of a high power entertainment. They managed to fulfill it, yet it could be better if songs were longer and hooks of better quality.

Rico Rossi, thank you for providing a copy for the review.
Here's a bunch of handy links:

DatPiff.com download link
[email protected]
http://myspace.com/chileepowdah - Chilee Powdah
myspace.com/mossdaboss - Moss Da Boss

 

[LethaFace]

Big Oso Loc - Inked Up N Banged Out
Connected Inc. (2009)
Rating: 4.5/5

01. Ima Big Boy
02. All I Know
03. You're In Love
04. Gangstas Don't Talk f. Big Rhino
05. How I Ride (remix)
06. Gangsta Muzic
07. She Wants Me
08. This Ones Four
09. Body Drop f. Negro
10. Throw Up The 4 f. Pistol Cee & Redrum
11. Be My Girl
12. You And Me
13. My Queen
14. R.I.P. Flaco
15. Bay Riderz f. Woodie

"Inked Up N Banged Out" is a third solo album by Big Oso Loc - a Latin representative from Irvington (Fremont) in the East Bay. These days he's one of the most recognizable figures in the homeboy rap, not because of a huge discography, as it isn't really that large, rather for his talent and impressive fan base. As far as it his music career is concerned, despite official solos, he has also released a collabo project with Fat Steve and two mixtapes.

The reviewed album is the first one recorded under Connected Inc., a label founded by Lil Coner, who's truly devoted to and intent upon Latin rap scene recently. We receive 14 brand new songs plus a recycled track ("Bay Riderz") from rapper's debut cd; fortunately placed in the very end. Ever since I remember Big Oso Loc presented more or less the same style. His voice still remains deep and low-pitched, while his flow aggressive and passionate. This Latin emcee usually keeps moderate tempo, yet he can unexpectedly speed up on a short part of the verse. Oso moves through every beat with smoothness and great ease, so you won't hear any slips on the microphone. Vocal side of this project will definitely appeal to all true gangsta rap fans. You'll find similarities in the lyrical aspects and themes of "Inked Up N Banged Out", as rapper tells us street stories and proudly represents Northern California. Most of the content refers to the hood life and homeboys, which is clearly audible in tracks like "All I Know", "This Ones Four", "Throw Up The 4" or "You And Me". We'll also hear a bit of gang banging, for instance in "Body Drop" or something about loyalty in "Gangstas Don't Talk". We can read between the lines about hating scraps, yet these type of lyrics are mainly delivered by guests (Big Rhino, Negro and Pistol Cee). Highly unexpected, yet very fresh, were a few songs about feelings and women. So far unprecedented themes might be heard on tracks like "You're In Love", "She Wants Me", "Be My Girl" or "My Queen", which mainly talk about females. What's more interesting, he's not speaking about them in a typical way of a pimp or a player, but describes his feelings towards them with a great dedication. A considerable dose of host's deep thoughts are accumulated in the end of album, where next to the mentioned tracks you'll get a touching tribute to a dead homie. For those of you who still consider this Fremont artist only a tough, cold-hearted guy here's a quote from "R.I.P. Flaco":

As I sit here sippin' on this brew,
Tears rollin' down my face, thinkin' of you
I can't believe how hard it is for me to write this song,
Been almost a year, it shouldn't took this long,
But the pain is deep, the tears fell like rain,
Since the day that you left, homes I ain't been the same
He was my little homie, yeah I gave you your name,
Little Flaco from the IRV gang

Don't misjudge Oso's creativity of rhymes with the one presented above, as he usually delivers more sophisticated ones. Moving back to the lyrical content, I have to emphasize that its diversity is not making the whole album less cohesive, as it sounds balanced and solid from beginning to the end. The quality level of this project was achieved not only by impressive vocals, but also thank to producers' work. Beat makers left a set of brilliant beats, which are very close to perfect. Loud and distinct bass lines, catchy melodies and clean mastering are principal factors of "Inked Up N Banged Out". What's more, the beats always fit the lyrics of the song, following its idea. I was only disturbed by modifications of vocals in a couple of choruses (on tracks #3, #7, #9 and #12) where you can hear some strange computerized sounds and once even a kind of autotune. Almost half of the beats were produced by VA, four others were brought by Down Lo and the rest was composed by Sleepy (22B), Twizted, Mastermind and Star69. It is obvious that Big Oso Loc is both a great rapper and lyricist; he proves once again that he can work hard on the solo project and drop a solid material. The most die-hard gangsta rap fans might feel uncomfortable while listening to softer tracks by the Bear, yet I assure you they're still excellent. Next to Sav-It-Out Records releases, "Inked Up N Banged Out" is in my humble opinion one of the best Latin albums of 2009.

 

[LethaFace]

200 Blk Locoz - Vacas Livin
Nasty North Records (2007)
Rating: 5/5

01. I Dont Give A Fuck About No Chorus f. Neva Sober
02. Ghetto Celebs f. Mousie
03. Livin' With No Fear
04. Northern Cali Gangstaz
05. Got Our Town On Lock f. Lil Coner
06. Grimey N Gritty f. Geez Loc & Filthy Fill
07. Red Rags In Tha Air
08. Mando 2 Get Ur Bread f. Geez Loc
09. Vacas 2 Tha Yoc f. Lil Woodie
10. Northern Killa Cali f. Neva Sober & Geez Loc
11. Thug Star f. 4Ever
12. Thug Life f. XO Creep

"Vacas Livin" is a group album from three Vacaville (707) representatives. Lil Raider, Ono Loco and Lil Toro are young Latins who want to finally put their city on the map of Northern California. The founder of Nasty North Records - Lil Raider - has already released a few projects under the label's name. This time he hooked up with two homeboys from the block and together they created an unforgetable rap art.

This cd is a special position for all Latin rap fans, as it deeply emphasises artsits' gang connections. Representing Norteno gangs, XIV and harsh scrap dissing - these are inevitable themes of this album. I just remind you that young Lil Raider is a very talented rapper, who builds his name in City of Vac and stays the most recognizable MC out of this area. His flow is a characteristic mix of soft hoarse voice, strong emotions and proper, origianl rhymes. Ono Loco, who's debuting on this cd, presents a rather normal voice, yet he spits real good flows, often speeding up the pace. The last from 200 Blk Locoz is Lil Toro, who's easily recognizable by his young voice and fast flows. While speaking of vocals all Locoz did well and put this project on the highest level. Subjects (gangbanging, representing Nor Cal, drug dealing), lyrics, rhymes and flows - all these aspects really amazed me with their perfection. 10 out of 12 beats were created by Nasty North producer - Filthy Fill - who I'd also call a very decent rapper. His music is marked with melodious samples, which totally hit my tastes. They sound in a modern fashion, still contain a bit of 90's rap, but what's even more important Filthy can brilliantly mix a whole set of loops. The songs can start up with piano notes, during verses we'll hear some pipes, while chorus is filled with an additional synth tones - all these matched supremely. One can complain about the quality of bass lines, which simply can't be called powerful or strong, but just decent pace markers. Do you recall Darkroom Familia production? They've also been famous from unusual beats, yet how typical for their camp. Filthy Fill created a kind of another Latin rap beats stage. I can't forget about two other producers; Mousie and 4Ever made very solid beats in tracks they also feature in. Some of you may say that 12 songs is not enough for a great cd, yet the fact is that every track on this project appears to be dope. Unfortunately all three rappers (together) were only featured on a few tracks, which is the only drawback of the album. The least we'll hear Lil Toro, who's often doing choruses instead of dropping a full verse. As a result I'd remove some of those needless features. If you put on good and unique flows, like to hear some hard Norte rap and you hate hearing commercial shit on BET or MTV, I recommend that you buy "Vacas Livin". For all Northern Cali Latin rap fans it's a must. For me it's one of the best rap projects of 2007.

 

[LethaFace]

C-Dubb - Veteran Status
Sovereign Records (2008)
Rating: 3.5/5

01. Lets Go
02. Smashin f. Keak Da Sneak
03. Keep Flippin It
04. The Midz f. Ma-Lace & R.I.T.Z.
05. Beast
06. Its Nuthin f. San Quinn & R.I.T.Z.
07. All My Life
08. We Ride f. Nifty
09. Pimp Recyclin f. Sol
10. The Treater & The Factor f. T-Nutty
11. Hustle N My Blood f. Jay Tee & R.I.T.Z.
12. Get It Poppin
13. Spillin My Drank f. R.I.T.Z.
14. The Slap Part 2 f. Doey Rock
15. This Is For My City f. Double R
16. Rappers Actin Bad

Does anyone remember the "Kalifornia" tape or the very first cd by C-Dubb titled "The Story Of The Struggle"? Probably not that many, yet this guy debuted only 8 years ago. During less than a decade he gained the deserved veteran status, for which other artists fought longer. And it won't be easy to take his shine since year after year he's coming with solid projects. Here's another one from the Oak Park, Sacramento representative.

Optimists would say that this is C-Dubb's ninth project, as they will count the already mentioned "Kalifornia" cassette and will count "Boss Game" from 2006 as two, because it included a bonus cd with "The Factz" that was supposed to drop on Killa Valley Entertainment. Thoroughbred critics, like us, will treat "Veteran Status" as the seventh endeavor. It is enough though to come to conclusion that the artist is gifted (he's both a rapper and a producer) and has already achieved mastery in his profession. Unfortunately we won't get something as great as "Shock Treatment"; in my opinion it would be very difficult to come up with another so brilliant a solo, but it's still a decent rap. C-Dubb hasn't left the already set trends. We'll still hear medium-paced melodies and perfectly fitting flow. The artist changes his tempo from time to time: he slows down, only to hit you with a tongue twister seconds later, just like in the opening "Lets Go". It's hard for me not to compare this album to the "Shock Treatment" from 2007 which I consider a masterpiece. I have an impression that C-Dubb flowed very smoothly on each beat back then, not making a single mistake. However he became too hasty now and I heard him lose a rhythm a few times. Apart from microphone stumbles, I need to add that choruses let me down on a few tracks. They are sometimes too simple - C-Dubb (or computer modulated voice) repeats on and on the same phrases again, which eventually sounds like Dirty South (for example in "Get It Poppin"). It doesn't make songs that worse, but indeed a little monotonous. Okay, so you've read a bit of criticism, but you should know that I'm a huge fan of C-Dubb and I like almost everything he records. "Veteran Status" has only proved that he's still capable of making quality music. He just plays with rap: producing is a daily bread for him, spitting a verse is nothing but pleasure. As far as production is concerned the host did 7 tracks and he was also accompanied by Vince V, Derryk D, B.C., New Hotness and Stix. .Let me emphasize it one more time: C-Dubb is more than a good artist and "Veteran Status" is a decent project, but it's overwhelmed by its predecessor. I'm looking forward to more releases from him; I heard he was working on another one.

 

[LethaFace]

Fury - Ferocious
XL Entertainment (2004)
Rating: 4.5/5

01. Ferocious Intro
02. Alter Ego
03. My Life f. Yun-Gun
04. 707 To Da 831 f. Young Dru
05. Outsiderz
06. Break'em Off
07. Real Shit f. Young Droop & Ross Rock
08. Run A Muck
09. We Gone Ball f. Yung Cavi
10. Killa Weed
11. Mobb Like Dis f. Marvaless
12. Lost In The Beat
13. Dipped In Sauce f. Dubee & Big Rome
14. Full Blown
15. Creepin f. T-Nutty, X-File & A.K.
16. Nightmare
17. All Time Superstars f. Yun-Gun, Jessica, Yung Heck, Bigg Spank & Stone Kold
18. **bonus track** f. unknown rapper

There aren't too many well known rappers out of the 831 area code, yet it has its talents. One of them is Fury who's representing Salinas. His sophisticated and unique style found a great response in the Bay Area rap fan base. Right now his first solo album "Ferocious" is considered a classic of this scene.

Actually, Fury debuted in 2002 when he released a duet album with King called "Talk Is Cheap", but it was his solo joint which brought him a bit of fame and success. Rapper is still an unknown figure in Northern California, but fortunately he invited a few bigger names to the studio, which definitely caught fans' attention. However the impressive quality of rap, which we're pleased to listen to for almost 80 minutes, is built on Fury's extraordinary talent, which refers both to his flow and lyrics. The reviewed album is full of complicated verses and catchy hooks filled with lots of emotions and artist's original voice. If you've already heard him on "Talk Is Cheap" cd you surely remember his fast-paced flow, which was rather flat back then, meaning that he didn't bother to enrich it with different styles. "Ferocious" is still kept in more rapid tempos, yet is more attractive due to various vocal experiments. The one might be heard for instance in "My Life", where he spits a long verse on almost a single breath. Fury's rap is far from being average, not only because of his exquisite rhymes, but also the fact he can easily switch the tempo or voice tone, constantly keeping it very melodious. What's more, even when he's touching on an ordinary topic his lyrics are full of similes and metaphors. You must be aware that Fury is more than a rapper, he's also a producer and he cooked most of the beats from the reviewed album. The musical background is also a diverse, vivid component of the project, which perfectly complements vocal side. 10 out of 18 tracks were produced by Fury himself, 5 were brought by Kasual Kreations and 2 other by King. I know I'm harsh, but I had to lower the final rating because of Marvaless' verse and a slightly worse track called "All Time Superstars" (I wasn't feeling the production and some of the guest performances). I'd also put more effort in the artwork, which is far from being clean. Yet don't be fooled by this project's outer shape as you'll find a real pearl inside it. Highly recommended!

 

[LethaFace]

Lil Coner - Child 'Hood'
Connected Inc. (2007)
Rating: 3.5/5

01. Side Show
02. Dodg'n Bullets f. Young Dalley
03. We See Death
04. Gangsta Bitch
05. Red Is What I'm Made Of f. Kriminal, Tito B & Keek Dogg
06. D Boy
07. Misunderstood f. Woodie & C-Locs
08. Every Time
09. Red Rags & Tatoos - Ace Of Spits, Boogie & Lil Evil
10. Murderous Streets f. Duke, Crooked, D-Roll, K.I.D. & Tito B
11. Talk To Me f. Joanna Mayorga
12. Fallin' f. Ace Of Spits, Boogie & Tito B
13. This Ain't Livin Pt. 2 (acapella)
14. Can't Stop Now
15. Money Is A Must f. Satan & Louie Loc
16. Thinkin' Out Loud
17. Back In 1992
18. If I Was Locked Down Pt. 2 (recorded over the phone) - Raskal De Decoto
19. Side Show (radio edit)

Four years ago a totally new player - Lil Coner representing Decoto - jumped into the East Bay Latin rap scene. This boy became famous not in a long time and released three compilations from "Balled Out" series. In 2007 he drops highly awaited sophomore solo cd.

"Child 'Hood'" is a very diverse album. You'll hear a lot of various songs, styles and flows. Unfortunately there are some weak and average tracks too, yet the major part of the project is at least decent. Maybe I'll start off with defects of the album to end up with a sweeter taste to encourage you to buy this cd. Lil Coner himself has slightly changed his flow. Occasionally it's very slow or sometimes even dull. It happens not that often, yet it irritates me. What's more, the production can ruin perfectly prepared verses. For example the very soft and laidback beat on "Red Is What I'm Made Of" or a garage production in "We See Death". Besides there's no Lil Coner verse on "Red Rags & Tatoos", plus he's only featured in the chorus of "Fallin'". The most half-baked part of the album is its ending, where we experience a few different failings. #13 is an acapella song which lasts not even a minute; #18 is a solo track from Raskal recorded over the phone from prison, which in my opinion is totally needless, #19 is just an edited version of track #1, plus we get about two lame beats at the end of the album. Nevertheless this project also offers a lot of good. First of all we'll hear a couple of brilliant songs, where vocals perfectly fit the production. Tracks like "Misunderstood", "Murderous Streets" or "Money Is A Must" show what Latin rap scene can really create. What's even more important it was Coner himself who amazed me in many unexpected moments with his mature lyrics and unique rhymes. To prove it I'll quote a part of "Wee See Death": "My older brother, who was once so handsome / He was kidnapped by the dope game and couldn't pay the ransom." As I said, Coner's flow is sometimes boring, yet it is perfectly covered with his genius vocal talent he reveals on such tracks as "Gangsta Bitch" or "D Boy". Coner did himself two beats, while the rest were done by Jason Haft, Satan, Abe Legen, Keek Dogg, Crooked, Bugsy, Epacenter and Serg 1. The second solo cd from Decoto representative is better than his debut in many aspects, however it shows a few unforgivable flaws. Nonetheless I recommend that all norteno rap fans go and cop this cd. I myself am very contented having it in my cd collection, still aware of its failings though.

 

[LethaFace]

W.I.L.L. - The Human W.I.L.L.
Ritten Reality Records (2009)
Rating: 4.5/5

01. Here I Come
02. Survive Like That
03. Not Real 2 Me f. Mr. Kee & Grahve
04. So Funny
05. Apply Preasure
06. Let It Go
07. What Part...? f. Philthy & Grahve
08. Open Your Eyes
09. I Will
10. Rap Fanatics f. Chent
11. Get Yuh Grip f. G-Dub & Philthy
12. Sure Shot
13. When The Fat Lady Sings f. Grahve, Cyress & Philthy
14. St.'s Of Redding
15. Not Real 2 Me (Kenny Freestyle Remix) f. Mr. Kee & Grahve

Redding (530) in Shasta County is one of the northernmost cities of the Sacramento Valley. One of the very few artists who's trying to put this place on the northern Cali map is a white emcee W.I.L.L. He's already released an official solo cd, one mixtape and a collaboration album with J Jamz. In 2009 he's back with a sophomore solo project entitled "The Human W.I.L.L.".

W.I.L.L. is far from being a rap celebrity, as his previous releases were known just to a local audience and he was working only with underground musicians. It hasn't really changed much since "The Human W.I.L.L." hit the streets. The only thing which might catch an average rap fan's attention is a guest appearance from San Francisco vet Mr. Kee. Except for that there's hardly anything that might encourage an ordinary potential customer to buy the album. It's a pity though, because it's people like W.I.L.L. who should be on the top of the northern Cali rap scene, receiving their props. He smoothly moves through every beat, leaving behind polished verses filled with passion and emotions. A delicate hoarse makes his voice original and distinct. W.I.L.L. has perfectly matched youngish tone with aggression that emphasizes significant parts of his verses. There's no doubt that vocal side of this project has no defects, as its host is at great ease while creating unique rhymes and keeping the pace.

Solid flow is one thing, but ordinary artists tend to waste it on played out themes and dumb lyrics. W.I.L.L. didn't squander his talent as he speaks on mature topics giving listeners a straight and raw image of his life. You'll hear songs about rap business, the city of Redding or human relationships. Vocal is fully completed by a great production, which sounds fresh every time I throw the cd into my hi-fi system. First of all I have to emphasize the fact that music is handled on the highest level from the very beginning to the very end. Tunes are clean and professional; no low budget material or weak beats. You'll be pleased to hear original samples played on piano or guitar plus lots of other unique loops. What's more, thanks to people responsible for the mastering, the music as a whole is crystal clear. You won't be annoyed by some defects, distracting noises or buzzing in the background. Unfortunately if you buy this album you won't know who really did the production, as it's not mentioned anywhere in the booklet. Thanks to W.I.L.L. we know that the beats were done by T.hc (13 songs), M-80 (#10) and Kenny Freestyle (#15). The music itself, vocals and lyrics have created an unforgettable ambiance. Almost every track is far from being a typical party time, carefree song. The project is thought-provoking and makes you stamp your feet at the same time. If you're W.I.L.L.'s fan you'll probably recognize track #14 as it was previously featured on "The Ruggles Brothers" project. The last track is a remix of track #3 - everything is the same except for the beat. W.I.L.L. and his music are hard to be classified. It's surely no gangsta, pimp or hyphy shit. It is more like a mature, professional rap with polished production. If you want to hear a piece of quality music and meet a splendid artist out of Redding, "The Human W.I.L.L." is a cd for you.

 

[LethaFace]

just to list a few....
there are too many of them to post them all; so just simply visit our website to look for the rest of reviews...

 

[macdrebaby]

dope reviews!

 

[Gemini]

Review of some throwback (yes, these 7 years passed fast as hell), dark, horror type of shit:

AOD - Noncomposmentis
Aod-Org Productionz (2003)
Rating: 4.5/5

01. Introduction
02. Obstacles
03. Ripped 2 Bitz
04. Tears
05. Sacrilegious - Young Sinn & First Degree The D.E.
06. Broken Silence - Zicafeckt
07. Late Night f. Neba Konezer
08. Nothing At All
09. Head Up
10. Getaway
11. Times f. Playa Rae
12. All Bottled Up
13. Living In The Dark f. Evil Poetry
14. Rap Fan - Neves & Elemental
15. Thoughts Of Sinn - Young Sinn
16. Unholy Roller - Neves
17. Now Its Gone
18. Introduction Blacc Mass

AOD is unfortunately still an unknown group, whose members represent various places in the northern California. It consists of Young Sinn, Zicafeckt, Neves, View 1 and Madnus. So far you couldn't hear them anywhere else, apart from appearances of single people on even more underground releases than this one (ex. solo "Casualties Of Life" by the 831 area code rapper Gemini). The reviewed "Noncomposmentis" cd is the group's debut and its content turns out to be equally unusual as its title.

Even some native English speakers may have problems with deciphering the title; "non compos mentis" stands for an insane person, the one unable to control its mind. Just take a look at the cover and think whether it resembles any "normal" rap album. You should know though, that it's been made deliberately as AOD members do not talk about the streets, drugs, cars, whores or parties; unless not in the way you got used to. This record is more of filled with various thoughts regarding life, interpersonal relations as well as sick visions and horror-like scenery meant to shock and thrill the listener. Therefore you will hear tracks about hardships and constant obstacles on our way, about self-confidence and breaking the chains put on by the society or even about lost love. These dark type of songs - or shall I say "barbaric" and "indecent"? - are mostly performed by Young Sinn and Neves who talk about the sin, death, Bible and madness. This can be depicted by the below quote:

I spit about the darkness, cause the light ain't where I'm living
I dwell amongst the shadows, cause the night is where I'm sinning

Very solid and polished lyrical layer is accompanied by decent vocals. These are mostly handled by Young Sinn (deep and vicious voice), Neves (a little confused and unclear) as well as Zicafeckt, whose flow is more young and charismatic. View 1 appeared only on a couple of tracks, while Madnus even on fewer. However all artists can handle their verses without any problems, when you hear them following the rhythm and keeping up the pace, you can say that they are pretty experienced. Apart from the above praised subjects I should also point out the untypical vocabulary and in consequence extraordinary rhymes. Now let me tell you a little something about one of the most important aspects of creating a gloomy mood. I obviously mean the production and probably won't surprise you by saying that it also doesn't follow the strict rap rules. You'll constantly be followed by disturbing vibes playing in the background. Get ready for distressing instrumental samples (like pianos), but also for odd add-ons such as sinister laughter in the distance or a water dripping. Production is indeed high quality and you can easily hear it when you compare this album to any other underground (yet debut!) release. Beats were made by Sinn, Zicafeckt, View 1 and Elemental. I'm well aware of the fact that the above described style won't suit all of you. On the other hand if you are fond of Brotha Lynch Hung's records (meaning also the production by Phonk Beta) or for instance the one by Apt. 3 / DNA Records then you should really see what rappers from AOD are about.

Unfortunately not long after release date Neves passed away. In 2009 another member - Young Sinn - has left this world. Bearing in mind that Madnus is locked for life, we'll never get another cd recorded by all those people.

Here is a slide show that I made for Young Sinn A.K.A. Tommy Blue Eyez.

At 2:10 you see four of the members of A.O.D: Madnus, View 1, Neves (R.I.P.) & Young Sinn A.K.A. Tommy Blue Eyez (R.I.P.).

I don't mean to high jack this thread, but this is very personal to me.