I've alwayz wondered why Minnesota(a state that desperetly needz some well deserved recognition in th rap game) never gave DMG any big ups. I bought hiz tape(later got the CD) Rigormortiz back in the summer of 1993 when I was 16 & that waz a tru classic. I waz the only nigga in Stockton who had that tape it seemed like, but when ever I played it 4 somebody I alwayz heard the same response. "That shit iz hella tight homie, dub that shit 4 me"
I'm just not saying it waz a classic just 2 say it. That waz one hell of a debut & hiz work with Facemob(a Hip Hop Masterpeice IMO) went unnoticed. I've actually spoke 2 a couple of people from Minnesota & they never seemed 2 care 4 hiz music. The entire Midwest IMO never gave thiz dude hiz propz. That waz the second album from a Midwest artist(the first was Esham Judgement Day Vol. 1. I bought that tape a month earlier) that I ever bought & I waz highly empressed. I love that CD till thiz very day. If the Midwest had some type of movement back then & would've supported thiz dude I think u guyz would of blew up along time ago. Twista was making moves around that time, Detroit loved Esham & Bone came the following summer(1994) & we all know the impact they had on the industry.
I'm just not saying it waz a classic just 2 say it. That waz one hell of a debut & hiz work with Facemob(a Hip Hop Masterpeice IMO) went unnoticed. I've actually spoke 2 a couple of people from Minnesota & they never seemed 2 care 4 hiz music. The entire Midwest IMO never gave thiz dude hiz propz. That waz the second album from a Midwest artist(the first was Esham Judgement Day Vol. 1. I bought that tape a month earlier) that I ever bought & I waz highly empressed. I love that CD till thiz very day. If the Midwest had some type of movement back then & would've supported thiz dude I think u guyz would of blew up along time ago. Twista was making moves around that time, Detroit loved Esham & Bone came the following summer(1994) & we all know the impact they had on the industry.