WHITE FOLKS...FINALLY!!!!
- Thread starter Dvious
- Start date
he just did an interview that can be viewed on www.chibangin.com there is tons of info in the forum on him and there is a decent sized audio page of him here http://www.chibangin.com/ecillaalbums.htm
http://www.chibangin.com/forums/index.php?showtopic=542&hl=
(*) Indicates credit to each member's question
How come you changed your style from hip hop to gangster rap? (*steve)
I would say it's been more of an evolution than a change. The kind of "hardcore" hip hop I built a name doing is all but extinct. I came up in the same circles as Traxster, Twista, Toxic and D.A to name a few, and at that time (1990-1995) we were all doing that style. As all the people I fucked with evolved, I evolved with them.
How did the whole “WhiteFolks” style come about? (*Believer)
When I came to CWAL at the end of 1998, Traxster and I began to concept the idea of what an E.C.illa CWAL album might sound like. Little by little as we began to record, it was evident what direction we were heading in. We always wanted it to be the classic CWAL/Chi style, but we wanted to incorporate a more lyrical element. When we did "The One" on CWAL Ballaz Vol.1, the response was overwhelming and me and Trax at that point knew what the style should be. Plus, I felt like a lot of the artists Trax was working with were sleeping on some of the better beats he was making. So I would listen to the beats CDs I had to choose from and it would blow my mind that some of the beats had not been taken. It was then that I realized as far as Chi style rap goes, I had the opportunity to create a classic album, not just another pretty good cd. The quality control that this album has had to pass through between me and Trax is part of what the WhiteFolks style is all about.
Is the “WhiteFolks” album personal to you? (*Believer)
Absolutely. The album contains all types of personal elements of my life. Elements, that before working with Trax, I didn't even realize would make for a great song. Beyond the blood, sweat and tears that went into creating the WhiteFolks CD, this recording served as a type of therapy to be honest. I doubt 95% of these rappers out there can claim to have made an album as in depth as this one, or even admit to having been involved with half the shit we touch upon.
If your album sells well (between 100,000 - 500,000 copies, who knows), will you start to feature what I call "industry rappers" in your future albums? (*meanmug)
I take this rap shit one fan at a time. Whether or not I'm blessed to reach that amount of people, I don't have any interest in fucking with any rappers the industry considers hot. If somebody wants to pay me to be on their album, I'll consider the offers as they come, but I'm not a huge fan of the guest appearance as far as my albums go. Even on this album it was important for me to carry the album by myself. I do have a posse cut at the very end featuring PsychoDrama, Snypaz, Triple Darkness & Trax, but that was for myself not for the purpose of sales. I don't fuck with the industry, I fuck with the fans.
This will possibly be one of the last real Chicago sounding street albums released; do you see yourself adjusting to what’s selling for future releases in terms of production? (*
)
I can't say that your statement is 100% accurate. I plan on doing everything I can, artistically and in business to keep the Chicago sound alive. I believe I can make these other spots adjust their production to sound more like us. A gang of ’em are already doing it. We might not get the credit, but you know it when you hear it.
What are your plans for yourself after the WhiteFolks album? (*Shak81)
We plan on working this album through the entire year of 2005. It'll be released nationally at the beginning of Summer with additional songs and appearances. I really need to see exactly where this album takes me before planning beyond it.
What was it like filming “Trust None” (Chicago’s first official gangster film)? (*steve)
It was a great experience. I came up with the entire plot complete in my head one night when I woke up at about 4am. I wrote it all down scene for scene. This was in 2001. When I finally got the chance to film it, I already knew exactly what I needed everyone to do. Now, to see it completed exactly how I envisioned it at 4am that morning is a trip. I always wanted to hear all the classic Chi cuts as the soundtrack to a flic. I had as much fun placing the music in the movie as I did filming it.
Why did you pick Yung Buk & Psyde (of PsychoDrama) as the bad guys in your movie? (*steve)
That was who it always was in my head. I guess Buk's voice automatically placed him as front runner for the villain role in the movie. They came through with flying colors. The acting part was easy cause almost everybody played themselves and even those who didn't, based their characters around their own personalities.
Do you plan to do anymore acting? (*dynamite) Will there be sequels to “Trust None” or more movies like it? If so, will there also be "documentaries" on the Chicago street rap scene? (*)
I already have the screenplay for "Trust None 2", Chicago's first official gangsta sequel" in the bag. I'm just waiting for the right business opportunity to move forward. I'm sure everybody in Chicago will try to put out a dvd of some kind now, so you'll probably see a bunch of ’em soon. I'll be glad if I motivated people.
What’s up with the old CWAL roster: Big Rap, Pinkie, D.Villa and D.A. Smart? (*Face97)
Most of them are still active. Big Rap has an ep coming soon. Third Shift is starting to record as a group again. D.Villa, First Battalion and Pinkie are all still making music. I think most everybody is still in the process of getting their business right. As far as D.A. goes... come to the in-store / release party, you never know who'll show up.
Do you have any tracks off the D.A. Smart “Fuck Tha World” album, which never was released? (*Face97)
To my knowledge, they never got a chance to start it due to personal circumstances.
You worked with Wildstyle (of Crucial Conflict) on a song, what was that like? (*Shak81)
Wildstyle is good people. We've become closer over the last few years. I'm a fan of the Flict, so it was an honor to create music together. He's very professional and that's something that is very important to me. We'll be working together more in the future, so look out for that.
How did you and Tre Sins (WhiteFolks’ presented group) hook up? (*Shak81)
They used to come to The Tip and bug me about gettin' down. As they began to develop and prove themselves, their hunger reminded me a lot of me and my guys some years back. I knew if I could help them a bit, they could reach more people and create their own fan base. Ya'll ain't seen nothin' yet. Them boys just gettin'started. New Tre Sins coming this Spring!
Are you and Kanye West going to do another song together? (*chicago2642)
I got a lot of respect for Kanye, but Trax'll stomp a mud hole in his ass!
Would you ever consider doing a group album with someone? (*)
If the circumstances were right, maybe. It would have to be some seriously classic combination though. I'd like to do a CWAL Mob group album if there was a demand for it.
Do you have any plans on working with people outside the CHI? (*chicago2642)
Trax and I have been getting a lot of offers from artists from other regions, Tech N9ne and 8 Ball among others. I'm open to the idea of spreading the sound to these other spots, but my main focus is our region until it's conquered.
In your interview with Murder Dog magazine you’re basically givin' Three 6 Mafia which I call "legends in this rap game" credit for keeping it real. Do you see yourself maybe hookin' up with the kings of Memphis, the super producers or any other members? (*meanmug)
Outside of Trax, I think Paul & J are some of the rawest in the game. We've been getting a lot of response from Lil Wyte's fans suggesting collaboration. On the business end it may make some sense, but my intention is to create my own demand and make these other artist come to us. They good business though.
Would you rather do a track with Rakim or Jay-Z? (*ktownpop187)
Funny question. If I was smart I'd say Jay Z for the exposure, but really probably Rakim. We should ask Rakim and Jay Z who wants to do a track with me more. Probably neither, so fuck’em.
If a poor struggling ghetto artist wants to feature a CWAL artist on their album, do you require straight cash up front or are there other ways to work it out? (*GhettoTrucker)
I can't speak for all CWAL artists, but I don't necessarily just accept straight up cash. I also accept money orders.
(*) Indicates credit to each member's question
How come you changed your style from hip hop to gangster rap? (*steve)
I would say it's been more of an evolution than a change. The kind of "hardcore" hip hop I built a name doing is all but extinct. I came up in the same circles as Traxster, Twista, Toxic and D.A to name a few, and at that time (1990-1995) we were all doing that style. As all the people I fucked with evolved, I evolved with them.
How did the whole “WhiteFolks” style come about? (*Believer)
When I came to CWAL at the end of 1998, Traxster and I began to concept the idea of what an E.C.illa CWAL album might sound like. Little by little as we began to record, it was evident what direction we were heading in. We always wanted it to be the classic CWAL/Chi style, but we wanted to incorporate a more lyrical element. When we did "The One" on CWAL Ballaz Vol.1, the response was overwhelming and me and Trax at that point knew what the style should be. Plus, I felt like a lot of the artists Trax was working with were sleeping on some of the better beats he was making. So I would listen to the beats CDs I had to choose from and it would blow my mind that some of the beats had not been taken. It was then that I realized as far as Chi style rap goes, I had the opportunity to create a classic album, not just another pretty good cd. The quality control that this album has had to pass through between me and Trax is part of what the WhiteFolks style is all about.
Is the “WhiteFolks” album personal to you? (*Believer)
Absolutely. The album contains all types of personal elements of my life. Elements, that before working with Trax, I didn't even realize would make for a great song. Beyond the blood, sweat and tears that went into creating the WhiteFolks CD, this recording served as a type of therapy to be honest. I doubt 95% of these rappers out there can claim to have made an album as in depth as this one, or even admit to having been involved with half the shit we touch upon.
If your album sells well (between 100,000 - 500,000 copies, who knows), will you start to feature what I call "industry rappers" in your future albums? (*meanmug)
I take this rap shit one fan at a time. Whether or not I'm blessed to reach that amount of people, I don't have any interest in fucking with any rappers the industry considers hot. If somebody wants to pay me to be on their album, I'll consider the offers as they come, but I'm not a huge fan of the guest appearance as far as my albums go. Even on this album it was important for me to carry the album by myself. I do have a posse cut at the very end featuring PsychoDrama, Snypaz, Triple Darkness & Trax, but that was for myself not for the purpose of sales. I don't fuck with the industry, I fuck with the fans.
This will possibly be one of the last real Chicago sounding street albums released; do you see yourself adjusting to what’s selling for future releases in terms of production? (*
) I can't say that your statement is 100% accurate. I plan on doing everything I can, artistically and in business to keep the Chicago sound alive. I believe I can make these other spots adjust their production to sound more like us. A gang of ’em are already doing it. We might not get the credit, but you know it when you hear it.
What are your plans for yourself after the WhiteFolks album? (*Shak81)
We plan on working this album through the entire year of 2005. It'll be released nationally at the beginning of Summer with additional songs and appearances. I really need to see exactly where this album takes me before planning beyond it.
What was it like filming “Trust None” (Chicago’s first official gangster film)? (*steve)
It was a great experience. I came up with the entire plot complete in my head one night when I woke up at about 4am. I wrote it all down scene for scene. This was in 2001. When I finally got the chance to film it, I already knew exactly what I needed everyone to do. Now, to see it completed exactly how I envisioned it at 4am that morning is a trip. I always wanted to hear all the classic Chi cuts as the soundtrack to a flic. I had as much fun placing the music in the movie as I did filming it.
Why did you pick Yung Buk & Psyde (of PsychoDrama) as the bad guys in your movie? (*steve)
That was who it always was in my head. I guess Buk's voice automatically placed him as front runner for the villain role in the movie. They came through with flying colors. The acting part was easy cause almost everybody played themselves and even those who didn't, based their characters around their own personalities.
Do you plan to do anymore acting? (*dynamite) Will there be sequels to “Trust None” or more movies like it? If so, will there also be "documentaries" on the Chicago street rap scene? (*
) I already have the screenplay for "Trust None 2", Chicago's first official gangsta sequel" in the bag. I'm just waiting for the right business opportunity to move forward. I'm sure everybody in Chicago will try to put out a dvd of some kind now, so you'll probably see a bunch of ’em soon. I'll be glad if I motivated people.
What’s up with the old CWAL roster: Big Rap, Pinkie, D.Villa and D.A. Smart? (*Face97)
Most of them are still active. Big Rap has an ep coming soon. Third Shift is starting to record as a group again. D.Villa, First Battalion and Pinkie are all still making music. I think most everybody is still in the process of getting their business right. As far as D.A. goes... come to the in-store / release party, you never know who'll show up.
Do you have any tracks off the D.A. Smart “Fuck Tha World” album, which never was released? (*Face97)
To my knowledge, they never got a chance to start it due to personal circumstances.
You worked with Wildstyle (of Crucial Conflict) on a song, what was that like? (*Shak81)
Wildstyle is good people. We've become closer over the last few years. I'm a fan of the Flict, so it was an honor to create music together. He's very professional and that's something that is very important to me. We'll be working together more in the future, so look out for that.
How did you and Tre Sins (WhiteFolks’ presented group) hook up? (*Shak81)
They used to come to The Tip and bug me about gettin' down. As they began to develop and prove themselves, their hunger reminded me a lot of me and my guys some years back. I knew if I could help them a bit, they could reach more people and create their own fan base. Ya'll ain't seen nothin' yet. Them boys just gettin'started. New Tre Sins coming this Spring!
Are you and Kanye West going to do another song together? (*chicago2642)
I got a lot of respect for Kanye, but Trax'll stomp a mud hole in his ass!
Would you ever consider doing a group album with someone? (*
) If the circumstances were right, maybe. It would have to be some seriously classic combination though. I'd like to do a CWAL Mob group album if there was a demand for it.
Do you have any plans on working with people outside the CHI? (*chicago2642)
Trax and I have been getting a lot of offers from artists from other regions, Tech N9ne and 8 Ball among others. I'm open to the idea of spreading the sound to these other spots, but my main focus is our region until it's conquered.
In your interview with Murder Dog magazine you’re basically givin' Three 6 Mafia which I call "legends in this rap game" credit for keeping it real. Do you see yourself maybe hookin' up with the kings of Memphis, the super producers or any other members? (*meanmug)
Outside of Trax, I think Paul & J are some of the rawest in the game. We've been getting a lot of response from Lil Wyte's fans suggesting collaboration. On the business end it may make some sense, but my intention is to create my own demand and make these other artist come to us. They good business though.
Would you rather do a track with Rakim or Jay-Z? (*ktownpop187)
Funny question. If I was smart I'd say Jay Z for the exposure, but really probably Rakim. We should ask Rakim and Jay Z who wants to do a track with me more. Probably neither, so fuck’em.
If a poor struggling ghetto artist wants to feature a CWAL artist on their album, do you require straight cash up front or are there other ways to work it out? (*GhettoTrucker)
I can't speak for all CWAL artists, but I don't necessarily just accept straight up cash. I also accept money orders.
Has being white ever been an issue in your career? Starting out and/or currently? (*C-Stylez)
Not really. If anything it makes me stand out a bit more. I've been lucky enough to let my music speak for itself.
How do you feel about possibly being referred to as a fake Eminem?(*chicago2642)
Anybody who knows anything about rap can tell we're not much alike.
Do you believe a person who dies for his/her beliefs is more of a hero than someone who saves another person’s life? Could explain your answer? (*meanmug)
I'd say they’re pretty equal. I guess a person who dies saving another person's life would have’em both faded.
What was the reason for selling The Tip (retail location) and not hiring a friend or someone else to run it and keep it how it currently is? (*C-Stylez)
I'm a control freak. If I can't be there regularly overseeing the day to day activity, it's just not me. I'm already involving people close to me in order to keep the on-line business running smoothly. I had several offers for the retail location and chose to sell it to World Won Entertainment because I felt they would operate it similarly to the way I did. Basically, I need to concentrate on this opportunity I've been blessed with fully focused. Customers and fans will still be able to contact me direct at [email protected] as of Dec.31st and the greatest selection of Chi sh#t anywhere in the world will still be available at www.thetipcds.com.
I am one to believe that artists should remember what got people jammin’ their music in the first place, stick with that and improve on that. Is this what you believe also? (*Daowl)
Yes.
Do you believe that Chicago can be as big as…hate to say it, New York without everyone trying to change their style? Can we keep it Chicago and still amaze the masses or is it just meant for the chosen few to touch the gift? (*Daowl)
It may be meant for just us, but I'ma do everything in my power to test that theory.
What cities would you like to tour in that you haven't been to yet? (*dynamite)
Every little town and hood that these other mufuckas won't go to and teach them the ways of the Mob.
What has kept you strivin’ and grindin’ to get the point out that Chicago is just too cold and is like none other? (*Daowl)
Fans like ya'll that remind me, Trax, Buk, Dawreck, Wildstyle, Payroll and all the other artists close to me that we're not just crazy. If I gotta do this shit just for ya'll then fuck the rest. I think if the right moves are made we can take this bitch over. I wake up every day chippin'away at that goal.
Not really. If anything it makes me stand out a bit more. I've been lucky enough to let my music speak for itself.
How do you feel about possibly being referred to as a fake Eminem?(*chicago2642)
Anybody who knows anything about rap can tell we're not much alike.
Do you believe a person who dies for his/her beliefs is more of a hero than someone who saves another person’s life? Could explain your answer? (*meanmug)
I'd say they’re pretty equal. I guess a person who dies saving another person's life would have’em both faded.
What was the reason for selling The Tip (retail location) and not hiring a friend or someone else to run it and keep it how it currently is? (*C-Stylez)
I'm a control freak. If I can't be there regularly overseeing the day to day activity, it's just not me. I'm already involving people close to me in order to keep the on-line business running smoothly. I had several offers for the retail location and chose to sell it to World Won Entertainment because I felt they would operate it similarly to the way I did. Basically, I need to concentrate on this opportunity I've been blessed with fully focused. Customers and fans will still be able to contact me direct at [email protected] as of Dec.31st and the greatest selection of Chi sh#t anywhere in the world will still be available at www.thetipcds.com.
I am one to believe that artists should remember what got people jammin’ their music in the first place, stick with that and improve on that. Is this what you believe also? (*Daowl)
Yes.
Do you believe that Chicago can be as big as…hate to say it, New York without everyone trying to change their style? Can we keep it Chicago and still amaze the masses or is it just meant for the chosen few to touch the gift? (*Daowl)
It may be meant for just us, but I'ma do everything in my power to test that theory.
What cities would you like to tour in that you haven't been to yet? (*dynamite)
Every little town and hood that these other mufuckas won't go to and teach them the ways of the Mob.
What has kept you strivin’ and grindin’ to get the point out that Chicago is just too cold and is like none other? (*Daowl)
Fans like ya'll that remind me, Trax, Buk, Dawreck, Wildstyle, Payroll and all the other artists close to me that we're not just crazy. If I gotta do this shit just for ya'll then fuck the rest. I think if the right moves are made we can take this bitch over. I wake up every day chippin'away at that goal.