Random Album/Song upload thread

[0R0]

lol @ a remix for that Miracles song by the producer of Bumpin Bumpin by kreayshawn

 

[infinity]

lol @ a remix for that Miracles song by the producer of Bumpin Bumpin by kreayshawn

my thoughts exactly. i was like wut

This is pretty fucking dope, reminds me of Terror Bird if they went for a more modern sound. (I think this came out on the same label Umberto is on, Not Not Fun Records)

dope. downloading now

 

[infinity]

best shit ive heard from the-dream. channeling frank ocean and the weeknd
Body Work/Fuck My Brains Out

 

[B-Buzz]

swag I listened to that all day

 

[0R0]

Well there goes that lol.

Anyway, first single from Twin Sister's LP.

Twin Sister - Bad Street

 

[L.D.S.]

Do any of you listen to Ghostland Observatory?

 

[infinity]

niiiiiiiiiice!

 

[0R0]

Some swaggin Czech music.

Dva - Hu (2010)

01. Animak
02. Tatanc
03. Fattal
04. Tropikal Animal
05. Baltik
06. Tihop
07. Tuer
08. Hap Hej
09. Numie
10. Huhu
11. Tralala
12. Uhuh
13. Valibela
14. Tatanc 800

Download

 

[infinity]

that zombi album was pretty cool, especially the last track. listening to the anthology now and its even cooler. heres their discog. (Space Rock/Prog/Synth/Electronic)

Zombi demo (2002) + Twilight Sentinel EP (2003) =

Zombi (2002)
1 Sequence 1 3:29
2 Sequence 2 2:24
3 Sequence 3 3:21
4 Sequence 4 2:09
5 Sequence 5 6:27
6 Sequence 6 2:42
7 Sequence 7 1:41
8 Sequence 8 2:49
Twilight Sentinel
9 Sequence 8 (Alternate Version) 3:06
10 Gemini, Part 2 7:01
11 Twilight Sentinel 6:49
12 DMC-12 13:46

This release is comprised of two parts. The first, Zombi (2002), was recorded and self-release in February of 2002. The pressing was limited to 150 copies and was sold exclusively at Zombi shows. The second part, Twilight Sentinel EP, is a collection of previously recorded material and three new tracks that were written and recorded specifically for Zombi's tour with Providence, RI's Daughters in 2003. This pressing was limited to 200 copies.

Zombi Anthology (re-issue of first two EPs, VCO Records, 2003)

Orion 2:50
Cetus 4:01
Cassiopeia 2:56
Serpens 9:38
Gemini 11:05
Andromeda 2:12
Taurus 13:44
Cosmos (Relapse Records, 2004)

Digitalis 4:38
Siberia 4:44
Sapphire 9:15
Digitalis tour EP (2006)

Challenger Deep 4:28
Digitalis 4:38
Legacy 9:01
Surface To Air 7:37
Night Rhythms
Surface to Air (Relapse Records, 2006)

Spirit Animal 14:00
Spirit Warrior 8:55
Earthly Powers 10:45
Cosmic Powers 6:46
Through Time 17:29
Spirit Animal (Relapse Records, 2009)

A Sapphire
B1 The Long, Mirrored Corridor
B2 Sapphire (Escort Remix)
Sapphire/Long Mirrored Corridor 12" (Throne of Blood, 2009)

Maserati – Join Us, Mystic Sister 1:18
Maserati – No More Sages 5:01
Maserati – Monoliths 6:17
Maserati – Thieves 2:40
Zombi (2) – Infinity 13:38
Split LP with Maserati (Temporary Residence, 2009)

Escape Velocity (Relapse Records, 2011)

 

[infinity]

Steve Moore (Gianni Rossi, Lovelock, Microwaves, Miracle, Titan, Zombi) has an epic discography for only releasing material since like '02. ive liked everything ive heard so far (just some Zombi, Gianni Rossi, and the Miracle album). heres the discography from the other half of Zombi, A.E. Paterra.

Majeure – Timespan (2009)

The Dresden Codex 14:25
Teleforce 9:34
Timespan 18:33

The solo project of A.E. Paterra (of electro-synth/prog group Zombi), Majeure creates old-school analogue synthscapes with a retro-futuristic sound, laced with spooky allusions to classic 70's Italian horror and early sci-fi. Think Goblin meets Tangerine Dream or Vangelis, and you'll be in the ballpark.

"Timespan" consists of 3 long pieces, each recalling early German electronic music, with live drumming from Paterra himself. "The Dresden Codex" is a dramatic and tense 14 minutes, and the action-packed "Teleforce" recalls a pulse-pounding psychological thriller, racing against the clock against an unseen force. The 18-minute "Timespan" is a synthi-sequencer score without a movie.

m4a

GMPD – Dreamscape (2009)

1 Dreamscape 7:10
2 Dreamlovers 3:17
3 Get Sirius 4:54
4 Mood Swings 4:18
5 Eyes Of Blue 7:11
6 Ballerina 4:58
7 The Only One 2:53
8 Supra Natura 8:55
9 Waking Vision 3:39
Dreamscape

Majeure / Sankt Otten – Split (2010)

Majeure – Moonbow
Majeure – The Traveler
Majeure – Aleph Institute
Sankt Otten – Es Ist Nicht Alles Gott Was Gläntz
Sankt Otten – Ich Beantrage Die Unsterblichkeit
Sankt Otten – Mit Offenen Augen
Sankt Otten – Der Sonne Entgegen
Sankt Majeure – Höhere Gewalt

The first 2 tracks on his side barely enter your consciousness, they are so slight and unimposing; but the 3rd track 'Aleph Institute' is mighty and really exciting - taking on his familiar Vangelis/KlausSchulze referencing sci-fi disco music and overlaying it with some horror movie tribal powerhouse drumming of the like that made his album so exciting. It has a hypnotic effect second to none. Sankt Otten have no such weight of expectation from me and so excelled at being compellingly atmospheric that they astonished me when their equally powerful drumming came into earshot - here was me expecting a pretty little bit of electro ambience and they go and and drum all over it, running roughshod over my hastily assembled preconceptions.

GroupRip

Majeure – Ben Nevis b/w Jakoda 7" (2011)

A Ben Nevis
B Jakoda

(Limited edition of 150 copies only available on RSD at Mind Cure Records). Two exclusive short and sweet tracks from Majeure. Each one a simple, yet building piece of synth mastery.

Stream

 

[infinity]

i think it was al or nuttkase who put me up on the games ep from last year with the fugly cover:

heres the new album under a new band name:
Ford & Lopatin Channel Pressure (Software, 2011)

You may have heard of Ford & Lopatin before, whether you know it or not. The two sides of this penny have been pretty well known for some work they’ve done previously, with Joel Ford having been a member of the band Tigercity and Daniel Lopatin making music under the moniker Oneohtrix Point Never. Outside of that, the duo have also been recording together for a little while now but using the name Games. After a series of mixtapes and and other general messing around in a studio, last year’s Games EP “That We Can Play” attracted some strong attention amongst the online community, bringing the appropriate hype along with it. Attached to that hype came some serious threats of lawsuits, because as you might expect the word “games” is far more common than you’d think, and also perhaps some of the samples they used weren’t entirely above board. So Ford & Lopatin it is, the combination of which is uncommon enough to where they can avoid any legal implications. Their official debut full length is titled “Channel Pressure”, and if you closely examine the cover art or just think of their old name Games, you should gain a surprisingly strong grasp of what the record might sound like.

Take one part electronica, another part 80s synth pop, and mix them together with a number of sonic elements that might otherwise be most at home on classic video games circa Atari or original Nintendo, and you’ve got the majority of what Ford & Lopatin are doing all over “Channel Pressure”. In order to best understand this sort of music, it really helps if you lived through it. As a child of the 80s, hopefully at some point you stayed up all night playing video games either at a friend’s house or at your own, depending on who had a system and what games. That was almost an essential part of any boy’s upbringing back in those days, and it’s those fond times that are triggered when listening to this record. It also helps if you’ve at least seen movies like “The Wizard” (starring Fred Savage) and “Tron” (the original) for what might best be described as “incidental music points” on the soundtrack. Like those movies and like those old video games, there wasn’t a whole lot going on in the way of vocals or lyrics, but sometimes if you kept listening to a particular song the instrumental would stick in your head anyways. Ford & Lopatin allow synth-laden instrumentals to take up most of “Channel Pressure”‘s running time, but they do make a concerted effort to bring in vocals whenever possible. Ford handles some of the singing, but Jeff Gitelman of The Stepkids and the effortlessly strange Autre Ne Veut each contribute a little bit as well, working to make this a much more traditional pop record than anything they’ve done in the past.

The way the songs on “Channel Pressure” are patterned is primarily in a staggered fashion, in which the instrumentals tend to fill in gaps or connect two songs with vocals. The first half of the album features three distinct highlights, all of them being the songs in which actual singing takes place (the chopped up “singing” that takes place on the title track doesn’t really count). For a first single, “Emergency Room” is remarkably fun and light, despite the darker content of the lyrics. The energy and strong bassline practically challenge you not to dance, while the swirling, woozy electro-synth bits in the background knock the track off-kilter in a fascinating way. The consistent repetition of the chorus helps too towards making this one of the record’s best and most memorable moments. The same cannot be said for “Too Much MIDI (Please Forgive Me)”, a song that gets by less on a hook-filled chorus and more courtesy of a generally strong groove that feels just a shade off something New Order would have done back at the height of their popularity. Tears for Fears is probably the best comparison to make when talking about “The Voices”, what with how the synths are layered and the few shimmering bells that pop up each time the remarkably catchy chorus rolls around. Paired directly next to the disco funk of “Joey Rogers”, it’s remarkable how two of the album’s most engaging tracks show up in the middle rather than at the more preferred junctures of the beginning or end. Still, the quality does drop just a little after that, with only Ne Veut’s surprisingly stable vocal turn on “I Surrender” and the pulsating, glitchy “World of Regret” providing moments worthy of being called great. In total that makes just under half the record worthy of your time, while the rest ranges anywhere from smooth transitional material to outright throwaways. The way those bigger moments are spread out across the duration of the album is immensely smart though, the little breadcrumb trails of delight just providing enough inspiration to keep you interested until the next one rolls around.

The good, if not great news for Ford & Lopatin is that “Channel Pressure” on the whole works better than it has any right to. Even when it’s not hitting the marks it needs to, the overall form and consistency of the record helps to make it stable. The outright pop songs they have put together are pretty great too. What should be of concern is how it apes so much of the excellent synth pop from the 80s yet fails to carve its own territory out of that niche. This album is unique if only because few if any artists are making music like this anymore. It is the bygone product of a bygone time, but in the sense that everything old is new again, Ford & Lopatin make a strong argument for bringing it back. They’re just hoping enough people will agree with them.

http://www.mediafire.com/?5mb5g04tkxq9ym3#1

 

[B-Buzz]

fuck yaaaaaaaaa

Dananananaykroyd- There Is A Way (Deluxe Edition)

DISC 1:
01. Reboot 4:00
02. All Us Authors 2:41
03. E Numbers 4:14
04. Think & Feel 3:47
05. Muscle Memory 3:19
06. Time Capsule 4:43
07. Good Time 3:15
08. Apostrophe 3:53
09. Seven Days Late 3:30
10. Glee Cells Trade 2:36
11. Make A Fist 4:43

DISC 2:

01. Bodies Like Holes 3:29
02. Wow 3:13
03. Searchlight 3:53
04. Song Six 5:45
05. Cameo 2:39

 

[0R0]

Maria Minerva - Noble Savage (2011)

A1 Noble Savage
A2 Hagasuxzzavol
B1 Disko Bliss
B2 A Little Honey

Download

 

[Elemenno]

Ty Segall - Goodbye Bread

Bay Area garage rocker mellows his sound out a little bit and he still sounds good.

 

[Nuttkase]

Ty Segall is the man. Props breh.

 

[Fucky McFuckerson]

SO are we just going to pretend that this didnt leak?

The Dear Hunter - The Color Spectrum The Complete Collection - 2011

Black
01. Never Forgive, Never Forget
02. Filth and Squalor
03. Take More Than You Need
04. This Body

Red
05. I Couldn't Do It Alone
06. A Curse Of Cynicism
07. Deny It All
08. We've Got A Score To Settle

Orange
09. Echo
10. Stuck On A Wire, Out On A Fence
11. A Sea Of Solid Earth
12. But There's Wolves?

Yellow
13. She's Always Singing
14. The Dead Don't Starve
15. A Sua Voz
16. Misplaced Devotion

Green
17. Things That Hide Away
18. The Canopy
19. Crow and Cackle
20. The Inheritance

Blue
21. Tripping In Triplets
22. Trapdoor
23. What You Said
24. The Collapse Of The Great Tide Cliffs

Indigo
25. What Time Taught Us
26. Mandala
27. Progress
28. Therma

Violet
29. Mr. Malum
30. Lillian
31. Too Late
32. Look Away

White
33. Home
34. Fall and Flee
35. No God
36. Lost But Not All Gone

http://www.megaupload.com/?d=9R5TV03C

 

[infinity]

^that looks interesting. downloading now

 

[B-Buzz]

I was too lazy to post all that shit lol. FYI each color is a different genre/style; Black's industrial, Red's post-hardcore, Green's country etc. Digging Yellow and Blue the most right now

 

[infinity]

what would you classify the other colors as?

 

[B-Buzz]

Black- Industrial
Red- Post-Hardcore (Manchester Orchestra play on Deny It All)
Orange- Heavy Classic Rock
Yellow- Classic Rock Pop (like The Beatles)
Green- Country
Blue- Ballads
Indigo- Electronic (like Kid A)
Violet- Indie (sounds like their Acts albums)
White- Piano-Heavy Indie (same)