Tadou
*Nutz I will take the civil approach on speaking with our four tongued friend*
Off the top yall, don't hate on JC's, small colleges or any other education institution. Knowledge is knowledge, it is never cheap or worthless, from the streets to Yale. Shit, if I ever take my drunk ass back to school I will fa sho start at a JC cuz the transition from being a derelict wino to an astute student will be viscious.
Second, Tadou some of your quotes in other forums were interesting and well thought, so believe me, I ain't tryin to be bully. I won't need to be quadrilingual to get my point across, and you bringing up your college resume may be impressive in some sectors, but here it bears no merit. You did not need to put up all those posts showing your academic stripes to get respect in here. In fact, in my eyes it did the opposite. The topic of this thread was about the undeniably nuke bomb of an album that is forthcoming from one of the NW's greatest, Bosko the superproducer. I don't see what your achievements have to do with the topic. I know you were answering detractors, but surely someone as intelligent as you could find some way to rebuke them without stuffing our faces with ribbons and certificates.
Now, it is great that you support your NW artists, we all should (and I try to go the extra mile to make sure I do); and you were right when you said early in the thread that every NW album should have a Bosko track. In my opinion, they should also have tracks from Torry Ward, Big Squeeze, D-Sane, Ray Ray of G-Ism, Dubb Flex, Jumbo of the Lifesavas, BG Church, Billyuns and a few others but those are the ones that come from the top of the head. The problem lies in that most NW artists have a camp which includes an in house producer that is able to get the job done for a great deal of whomever's album. The difference with the aforementioned producers and Bosko is that Bosko long ago graduated from being regionalized. He has plaques, Tv theme songs, and a gigantic discography which include the names of the hottest acts from all over the country.
Just because someone has the bread to buy a Bosko beat does not ensure that he will work with said artist. From a NW standpoint, it is usually Cool Nutz that acts as the go between us up and coming Pacific artists and Bosko. Nutz doesn't give Bosko samplers to anyone; it is the artists that have serious potential and a hard knock hustle. On top of that, if you are one of the acts to get recognized as someone with the said skills; you will almost always get a huge discount in the price you pay versus what a nationally established artist would pay. All this adds up to a huge favor from Bosko, Bombay, and Jus Family. Bosko does not owe us, he is the role model for all NW acts in which we can all soak game from.
Cool Nutz said it best: We (Jus Family/Bombay) are not a charity organization. But if you get down with these cats for some time, you will see the dividends if you have the drive to compete.
Feel free to send me back any of your corrections in my grammar. I tried to speak with eloquence, but I'm a bit more gutter than that.