Baycentrik: I know you been in the lab working on E-40's album, what inside info can you give us on that? Do you have a lot of production on it, whats your role as far as that album goes?
Droop-E: I been with him hand in hand this time working on the album. We've done probably over 60 songs. Pretty much me and pops worked real close on this one, this is the real historical album. There's actually a song on the album where my grandfather is playing the guitar, I produced the song and my pops is on it with Lenny Williams on the hook. This whole album, we took it back to the roots of what we wanted to do. You'll hear shit on there that you never heard before from anybody. This shit is amazing. Me, Rick Rock, and a producer named Willy Will pretty much split up the production. It's two albums on the same day Revenue Retrievin The Night Shift, and Revenue Retrievin The Day Shift. This shit is amazing. It's about 40 songs all in all.
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Baycentrik: Is there a more musical sound to the album? A lot of people thought E-40's last album sounded like My Ghetto Report Card. Is it on a different level or will it have some of the same stuff of previous albums?
Droop-E: Nah it's gonna be like nothing you ever heard. What I will say is, pieces of his style from when he first started, the Mr. Flamboyant days, the early Click days, pieces of that style he kind of brought back in. With the last album, we did what we wanted to do, but at the same time, we had a lot of new fans, so we tried to make the music more open to everybody. This time around we said fuck that, we gonna do this for our core fans, we gonna do what the fuck we wanna do. This shit is like nothing you ever heard before period! It's very musical, but it's new millennium mobb music mixed with some whole other shit. I'm very proud of this work.