Random Photography.
- Thread starter _Vendetta_
- Start date
Number one is the best one, with a little editing it would be raw!
These are pretty good for a point and shoot camera, next time remember to FART tho.
F: Feel
A good photo starts when you get the feeling to take a picture. You're walking around, and come across something that seems worthy of a photo.
Bad photographers just take a picture at this point.
Maybe they get something, but often they don't, because they haven't identified what it is exactly that caught their eye. These images expect the viewer to figure it out, and guess what: viewers won't bother. They just move on to the next shot.
It's never a subject, like "a Ferrari." What catches our mind's eye and leads to a great photo is always something more abstract. What attracts us to Ferraris as photo subjects is their bold, solid, primary colors and their brilliantly pure styling.
A: Ask
Once you've got a hankering to stop and take a picture, stop and ask yourself exactly what it is that made you stop.
Is it a bold color? Is it a crazy juxtaposition? Is it the wild light? What is it, exactly, that made you want to take a picture?
Is it the brilliant Italian design, lines, motion and proportion of the Ferrari? If so, what exactly about the design caught your eye?
R: Refine
Now that you have hopefully gotten some sort of clue as to what it is that attracted your eye, the hard part is to refine the image to emphasize whatever it is.
If we can emphasize whatever it was that stopped us, the photo will be far more likely to stop others and make them say WOW!
In other words, if we liked something, was it because it had a weird texture? If so, be sure to show that texture as boldly as you can.
If you like the color of something, don't be a wimp: fill the whole frame with it.
If there is an interesting relationship between two things, be sure to do everything you can to make sure that that is what takes over the photo.
Get rid of everything that isn't directly related to whatever it is that made you want to take the photo.
Compose as strongly as you can. Eliminate everything that isn't directly related to the point of the photograph.
In the case of a Ferrari, if you don't FART before snapping, you're likely to make another boring photo of the whole car from eye level.
If you FART first, you'll ask yourself what is it about the Ferrari that catches your eye, and when you can Answer that, maybe wind up with a close-up of those big round Hella tail lights, or maybe realize that it was the redhead driving it, and instead, head out to lunch with her and save the photo shoot for later.
It's never about the obvious subject. It's always something more basic and subconscious that draws us to want to make a picture of something.
You always can refine more and more, and as you do, your photos become stronger. If it was the redhead that caught your eye, what exactly about her caught your eye? If it was her hair, what exactly about her hair grabbed you?
The better you can Answer and keep Refining this, the more your photos will grab people, be they you, your friends and family, contest judges or photo and art buyers.
T: Take
This is the easy part. Take the picture.
Be sure the exposure and color (WB) are OK, and you're done.
These are pretty good for a point and shoot camera, next time remember to FART tho.
F: Feel
A good photo starts when you get the feeling to take a picture. You're walking around, and come across something that seems worthy of a photo.
Bad photographers just take a picture at this point.
Maybe they get something, but often they don't, because they haven't identified what it is exactly that caught their eye. These images expect the viewer to figure it out, and guess what: viewers won't bother. They just move on to the next shot.
It's never a subject, like "a Ferrari." What catches our mind's eye and leads to a great photo is always something more abstract. What attracts us to Ferraris as photo subjects is their bold, solid, primary colors and their brilliantly pure styling.
A: Ask
Once you've got a hankering to stop and take a picture, stop and ask yourself exactly what it is that made you stop.
Is it a bold color? Is it a crazy juxtaposition? Is it the wild light? What is it, exactly, that made you want to take a picture?
Is it the brilliant Italian design, lines, motion and proportion of the Ferrari? If so, what exactly about the design caught your eye?
R: Refine
Now that you have hopefully gotten some sort of clue as to what it is that attracted your eye, the hard part is to refine the image to emphasize whatever it is.
If we can emphasize whatever it was that stopped us, the photo will be far more likely to stop others and make them say WOW!
In other words, if we liked something, was it because it had a weird texture? If so, be sure to show that texture as boldly as you can.
If you like the color of something, don't be a wimp: fill the whole frame with it.
If there is an interesting relationship between two things, be sure to do everything you can to make sure that that is what takes over the photo.
Get rid of everything that isn't directly related to whatever it is that made you want to take the photo.
Compose as strongly as you can. Eliminate everything that isn't directly related to the point of the photograph.
In the case of a Ferrari, if you don't FART before snapping, you're likely to make another boring photo of the whole car from eye level.
If you FART first, you'll ask yourself what is it about the Ferrari that catches your eye, and when you can Answer that, maybe wind up with a close-up of those big round Hella tail lights, or maybe realize that it was the redhead driving it, and instead, head out to lunch with her and save the photo shoot for later.
It's never about the obvious subject. It's always something more basic and subconscious that draws us to want to make a picture of something.
You always can refine more and more, and as you do, your photos become stronger. If it was the redhead that caught your eye, what exactly about her caught your eye? If it was her hair, what exactly about her hair grabbed you?
The better you can Answer and keep Refining this, the more your photos will grab people, be they you, your friends and family, contest judges or photo and art buyers.
T: Take
This is the easy part. Take the picture.
Be sure the exposure and color (WB) are OK, and you're done.
I've just barely started to get into photography so i was using a basic Canon digital camera. No editing was involved. I'm still trying to learn gimp/ Photoshop software and am camera shopping for a descent camera for a beginner like myself.. But with so many brands to pick from it's a tad difficult. I hear Nikon is good as well as Canon Rebel i belive it is.