Woodies Equipment
- Thread starter GermanLugers23
- Start date
oNe of the world$ greate$t my$terie$ that will Never be $olved, lol
all iN all good que$tioN, but U caN tell WOOD wa$ coN$taNtly fuckiNg with diff equipmeNt iN diff project$, the quality ju$t got better N better with every relea$e, homie had a good ear 4 mu$ic, it$ hard to produce your owN mu$ic N he made it $eem ea$y....
all iN all good que$tioN, but U caN tell WOOD wa$ coN$taNtly fuckiNg with diff equipmeNt iN diff project$, the quality ju$t got better N better with every relea$e, homie had a good ear 4 mu$ic, it$ hard to produce your owN mu$ic N he made it $eem ea$y....
That`s what woodie said in 2kxiv
92 LIVE, YES THAT IS ENOUGH GEAR TO PUT AN ALBUM OUT EXCEPT YOU'LL NEED TO GET A COMPUTER WITH A SEQUENCING PROGRAM OF CHOICE AND MIDI INTERFACE TO ARRANGE AND RECORD THE MUSIC MADE BY THE QS8 ' CAUSE I BELIEVE THERE IS NO BUILT IN SEQUENCER IN THE QS SERIES KEYBOARD. AS FOR A MIXING BOARD THE ROLAND 1824 IS A MIXING BOARD, RECORDER AND EFFECTS GENERATOR IF HE BOUGHT THE EXTRA VS8F-2 EFFECTS BOARD OR BOARDS ALL BUILT IN TO ONE MACHINE AND IF YOU KNOW HOW TO USE IT PROPERLY YOU CAN ACHIEVE GREAT SOUNDING RECORDINGS. IN 1997 I MADE YOC INFLUENCE WITH AN ALESIS QS6, ROLAND 880 WITH ONE EFFECTS BOARD, FREESTYLE SEQUENCING PROGRAM AND A DYNAMIC MIC I RAN THROUGH THE ROLAND MIC MODELING EFFECT IN THE VS8F-2 THAT TRANSFORMS THE MIC INTO VARIOUS DIFFERENT TYPES OF MICS FROM SMALL TO LARGE CONDENSERS OF YOUR CHOICE. IF HE UNDERSTANDS THE FUNDAMENTALS OF PROPER RECORDING AND MIXING AND KNOWS HOW TO GET FULL USE OUT OF HIS EQUIPMENT THEN IT IS VERY POSSIBLE. STAY UP AND GOOD LUCK.
and this :
AS FOR A DIGITAL RECORDER I RECOMMEND THE ROLAND 1880 "$1800-$2000" TO START WITH AND ATLEAST ONE "IT HOLDS UP TO TWO" VS8F-1 EFFECTS BOARDS "$280" THAT INSTALLS INSIDE THE UNIT AND A QUALITY LARGE DIAPHRAM CONDENSOR MIC "AUDIO TECHNICA MAKES SOME GOOD ONES BETWEEN $250-$500" THE EFFECTS BOARD HAS A BUILT IN COMPRESSOR/LIMITER YOU CAN INSERT WHEN RECORDING YOUR VOCALS THAT WORKS GOOD WHICH I USED ON MY FIRST THREE AND A HALF ALBUMS THEN YOU CAN APPLY TWO SEPARATE STEREO EFFECTS OR FOUR IF YOU BUY TWO VS8F-1 EFFECT BOARDS AT MIXDOWN. RUN THE FINAL MIXES DIGITAL VIA A DIGITAL CABLE NOT ANALOG TO A CD BURNERS DIGITAL INPUT THEN TO THE MASTERING STUDIO. GOOD LUCK.
92 LIVE, YES THAT IS ENOUGH GEAR TO PUT AN ALBUM OUT EXCEPT YOU'LL NEED TO GET A COMPUTER WITH A SEQUENCING PROGRAM OF CHOICE AND MIDI INTERFACE TO ARRANGE AND RECORD THE MUSIC MADE BY THE QS8 ' CAUSE I BELIEVE THERE IS NO BUILT IN SEQUENCER IN THE QS SERIES KEYBOARD. AS FOR A MIXING BOARD THE ROLAND 1824 IS A MIXING BOARD, RECORDER AND EFFECTS GENERATOR IF HE BOUGHT THE EXTRA VS8F-2 EFFECTS BOARD OR BOARDS ALL BUILT IN TO ONE MACHINE AND IF YOU KNOW HOW TO USE IT PROPERLY YOU CAN ACHIEVE GREAT SOUNDING RECORDINGS. IN 1997 I MADE YOC INFLUENCE WITH AN ALESIS QS6, ROLAND 880 WITH ONE EFFECTS BOARD, FREESTYLE SEQUENCING PROGRAM AND A DYNAMIC MIC I RAN THROUGH THE ROLAND MIC MODELING EFFECT IN THE VS8F-2 THAT TRANSFORMS THE MIC INTO VARIOUS DIFFERENT TYPES OF MICS FROM SMALL TO LARGE CONDENSERS OF YOUR CHOICE. IF HE UNDERSTANDS THE FUNDAMENTALS OF PROPER RECORDING AND MIXING AND KNOWS HOW TO GET FULL USE OUT OF HIS EQUIPMENT THEN IT IS VERY POSSIBLE. STAY UP AND GOOD LUCK.
and this :
AS FOR A DIGITAL RECORDER I RECOMMEND THE ROLAND 1880 "$1800-$2000" TO START WITH AND ATLEAST ONE "IT HOLDS UP TO TWO" VS8F-1 EFFECTS BOARDS "$280" THAT INSTALLS INSIDE THE UNIT AND A QUALITY LARGE DIAPHRAM CONDENSOR MIC "AUDIO TECHNICA MAKES SOME GOOD ONES BETWEEN $250-$500" THE EFFECTS BOARD HAS A BUILT IN COMPRESSOR/LIMITER YOU CAN INSERT WHEN RECORDING YOUR VOCALS THAT WORKS GOOD WHICH I USED ON MY FIRST THREE AND A HALF ALBUMS THEN YOU CAN APPLY TWO SEPARATE STEREO EFFECTS OR FOUR IF YOU BUY TWO VS8F-1 EFFECT BOARDS AT MIXDOWN. RUN THE FINAL MIXES DIGITAL VIA A DIGITAL CABLE NOT ANALOG TO A CD BURNERS DIGITAL INPUT THEN TO THE MASTERING STUDIO. GOOD LUCK.
