Listened to both disc's about 10-15 times through now this week, and finally finished the review. Been waiting for this one for a while and I think you'll be pleased with the outcome:
Big Boi's Disc:
01. Speakerboxxx Intro [N/A / 10]
The intro to the CD starts it off with a funky beat that will pave the way throughout both CD's. There are no lyrics, just some female vocals repeating "Speakerbox... Speakerbox...". Good short intro.
02. Ghettomusick [9.5 / 10]
Outkast instantly starts it off with a crazy, unique style. It's different than anything we've ever heard from anyone before - even from them. The first section of the song is an extremely quick beat with the chorus overlapping - "Find a way to get out or wit out or hit out ya dig in ya dig out ya get out, ghetto music... ghetto music". Right after this, the song switches up for the first time and has some junglish sound effects in the background as Big Boi speaks some words. This doesn't last long though, as the high-BPM beat kicks right back in with some funky shit. Through the song, there are points where the beat totally stops and an R&B style mood kicks in with some strange voices talking. Overall this song is exactly what I wanted to introduce me to the new style that Outkast is about to come with...
03. Unhappy [8.5 / 10]
The mood flips a little bit and a softer song kicks in. Lots of sound effects going on in the background and Big Boi hits it off with a smooth flow that matches the beat perfectly. This song talks about making the best in life and having fun while you can. Someday the "happiness" will be done and you won't have any more chances. A lot of good flows and lyrics in this song and I'm feeling it to the fullest.
04. Bowtie [9.0 / 10]
Wacky beat, wacky sounds, and sort of reminiscent of Aquemini in a way. A lot of horns and voices accompany the slow, smooth flow. This is music at its finest - an indefinable genre (Simply because there are so many styles in one song) of pure rhythm and funk. It's an overall laid back feeling, with the climax of sounds at the chorus. Another hit.
05. The Way You Move [8.0 / 10]
This song is a bit slower than the few before it. The beat is well produced, with a constant chop sound adding to the eerie background sound effects. Boi raps over it smoothly and in the standard Outkast method - possibly a little further away from the mic to keep him more in the background though. At the chorus, the song picks up some power and instruments kick it off in an R&B & Ska type sound. Good track.
06. The Rooster [9.0 / 10]
Only Outkast could make a song beginning with such a tone and keep it somewhat-serious. This is one of my favorite beats on the CD. It's mysterious yet humorous at the same time - and the horns are still here! They seem to have gone instrument crazy on both discs, and it is usually for the better. Positive effects. This song is nothing less than heat.
07. Bust [7.5 / 10]
Killer Mike gets a bit of exposure in this song, being Outkast's prodigy and all. He starts it off with some darker, deeper flows, but still matching the style perfectly. The production on this disc is genius - no less. The song is a bit more gangster than most of the material, as the lyrics are slightly less happy than what we have seen so far - definitely more serious. But that does not take away from the overall appeal of the track. Good cut.
08. War [7.5 / 10]
The first half of the song is a little bit of a slower tune with a more sinister beat. Boi raps for a minute then female vocals of "Tick... Tick Boom" etc., referring to the little time left we have before war consumes everything. The whole song switches gears after a minute or so, but it keeps the same depressing-feeling tempo. The flows are good, the lyrics are great, overall a good song.
09. Church [8.5 / 10]
One of the "semi-singles" from the CD. It has been on the radio for a little while, but doesn't have as much rotation as it should. The beat is an upbeat active one, which seems to ask the question of "Why" in itself, even without the lyrics supporting it. The whole song is asking why we are here and what the point is. The chorus sounds great, with a female vocalist singing over a choppy but smooth rhythm. One of the hits.
10. Bamboo [N/A / 10]
An alright skit with Big Boi's son talking into the mic. His father asks him what his name is and why is he is in the studio. Sort of long, and I don't see myself listening to it much... but at least a funky beat was added to the background while the whole thing is going on.
11. Tomb Of The Boom [8.5 / 10]
This song keeps the same beat as the previous interlude, but switches it up a little to support a real song more. Definitely feeling the hard hitting sound. The first rapper to come in is Konkrete - he has an alright verse but it could have been better. The chorus is average. Big Gipp comes in second and spits some mediocre lyrics, not feeling him too much. But next comes Ludacris and he tears it up. I hoped Luda would stick to his more classic style and he did just that - great verse. Boi's final verse is a good one too. Overall I had mixed feelings about this song but I think it deserves a good rating.
12. E-Mac [N/A / 10]
Short interlude. 30 second filler.
13. Knowing [9.0 / 10]
I like this song a lot. The beat is sort of junglish with a lot of stuff going on in the background. It's a Big Boi solo - both verses and chorus, which are both superb. Lots of talking about women and consequences. Nothing less than a quality Outkast song.
14. Flip Flop Rock [9.5 / 10]
This one features Killer Mike and Jay-Z, and although I'm not much of a Jay-Z fan, he adds to the song a lot. He does his little Roc A Fella chant and Big Boi comes in quickly to tear the mic up. The chorus has a lot of high pitched sounds on a fast paced background beat. Boi doesn't stop - he absolutely rips the verses up. Killer Mike comes in next and spits a good verse too - feeling it. The last verse belongs to Jay Z and I have to give him props for this one. He goes well on this beat and finishes off the song with a bang. One of my favorite songs on this disc.
15. Interlude [N/A / 10]
Voice talking about Outkast. Just a brief skit with strange noises "flying" around in the background.
16. Reset [9.0 / 10]
Starts off very slow with hand claps in the background. And stays very slow throughout the song, with an R&B tone to it. Pianos and shell-sounds going off in the background. A very soothing song, even when Boi comes in with his smooth verses. They definitely did right by putting this song near the end of the CD. Also featured on this song are Khujo Goodie, and the always humorous Cee-Lo. I like both of their verses; they go with the song well.
17. D-Boi [N/A / 10]
Another interlude. Not interesting at all. Just talking.
18. Last Call [9.0 / 10]
It seems like every hip-hop/rap album coming out these days has to feature Lil Jon & The Eastside Boyz. This one is no exception - the difference is that they sound tight on the Outkast beats. Slimm Calhoun and Mello are also featured. This song is sort of a party-type song, with Jon screaming his heart out in the chorus, and the beat with some uplifting effects. It's basically talking about alcohol - the last call - in a club or wherever. Great overall.
19. Bowtie Postlude [N/A / 10]
Some jazzy sounds going on in the background as the final interlude ends the Big Boi CD. The comedown to a 56 minute climax. The end of the trip.
Big Boi's Disc:
01. Speakerboxxx Intro [N/A / 10]
The intro to the CD starts it off with a funky beat that will pave the way throughout both CD's. There are no lyrics, just some female vocals repeating "Speakerbox... Speakerbox...". Good short intro.
02. Ghettomusick [9.5 / 10]
Outkast instantly starts it off with a crazy, unique style. It's different than anything we've ever heard from anyone before - even from them. The first section of the song is an extremely quick beat with the chorus overlapping - "Find a way to get out or wit out or hit out ya dig in ya dig out ya get out, ghetto music... ghetto music". Right after this, the song switches up for the first time and has some junglish sound effects in the background as Big Boi speaks some words. This doesn't last long though, as the high-BPM beat kicks right back in with some funky shit. Through the song, there are points where the beat totally stops and an R&B style mood kicks in with some strange voices talking. Overall this song is exactly what I wanted to introduce me to the new style that Outkast is about to come with...
03. Unhappy [8.5 / 10]
The mood flips a little bit and a softer song kicks in. Lots of sound effects going on in the background and Big Boi hits it off with a smooth flow that matches the beat perfectly. This song talks about making the best in life and having fun while you can. Someday the "happiness" will be done and you won't have any more chances. A lot of good flows and lyrics in this song and I'm feeling it to the fullest.
04. Bowtie [9.0 / 10]
Wacky beat, wacky sounds, and sort of reminiscent of Aquemini in a way. A lot of horns and voices accompany the slow, smooth flow. This is music at its finest - an indefinable genre (Simply because there are so many styles in one song) of pure rhythm and funk. It's an overall laid back feeling, with the climax of sounds at the chorus. Another hit.
05. The Way You Move [8.0 / 10]
This song is a bit slower than the few before it. The beat is well produced, with a constant chop sound adding to the eerie background sound effects. Boi raps over it smoothly and in the standard Outkast method - possibly a little further away from the mic to keep him more in the background though. At the chorus, the song picks up some power and instruments kick it off in an R&B & Ska type sound. Good track.
06. The Rooster [9.0 / 10]
Only Outkast could make a song beginning with such a tone and keep it somewhat-serious. This is one of my favorite beats on the CD. It's mysterious yet humorous at the same time - and the horns are still here! They seem to have gone instrument crazy on both discs, and it is usually for the better. Positive effects. This song is nothing less than heat.
07. Bust [7.5 / 10]
Killer Mike gets a bit of exposure in this song, being Outkast's prodigy and all. He starts it off with some darker, deeper flows, but still matching the style perfectly. The production on this disc is genius - no less. The song is a bit more gangster than most of the material, as the lyrics are slightly less happy than what we have seen so far - definitely more serious. But that does not take away from the overall appeal of the track. Good cut.
08. War [7.5 / 10]
The first half of the song is a little bit of a slower tune with a more sinister beat. Boi raps for a minute then female vocals of "Tick... Tick Boom" etc., referring to the little time left we have before war consumes everything. The whole song switches gears after a minute or so, but it keeps the same depressing-feeling tempo. The flows are good, the lyrics are great, overall a good song.
09. Church [8.5 / 10]
One of the "semi-singles" from the CD. It has been on the radio for a little while, but doesn't have as much rotation as it should. The beat is an upbeat active one, which seems to ask the question of "Why" in itself, even without the lyrics supporting it. The whole song is asking why we are here and what the point is. The chorus sounds great, with a female vocalist singing over a choppy but smooth rhythm. One of the hits.
10. Bamboo [N/A / 10]
An alright skit with Big Boi's son talking into the mic. His father asks him what his name is and why is he is in the studio. Sort of long, and I don't see myself listening to it much... but at least a funky beat was added to the background while the whole thing is going on.
11. Tomb Of The Boom [8.5 / 10]
This song keeps the same beat as the previous interlude, but switches it up a little to support a real song more. Definitely feeling the hard hitting sound. The first rapper to come in is Konkrete - he has an alright verse but it could have been better. The chorus is average. Big Gipp comes in second and spits some mediocre lyrics, not feeling him too much. But next comes Ludacris and he tears it up. I hoped Luda would stick to his more classic style and he did just that - great verse. Boi's final verse is a good one too. Overall I had mixed feelings about this song but I think it deserves a good rating.
12. E-Mac [N/A / 10]
Short interlude. 30 second filler.
13. Knowing [9.0 / 10]
I like this song a lot. The beat is sort of junglish with a lot of stuff going on in the background. It's a Big Boi solo - both verses and chorus, which are both superb. Lots of talking about women and consequences. Nothing less than a quality Outkast song.
14. Flip Flop Rock [9.5 / 10]
This one features Killer Mike and Jay-Z, and although I'm not much of a Jay-Z fan, he adds to the song a lot. He does his little Roc A Fella chant and Big Boi comes in quickly to tear the mic up. The chorus has a lot of high pitched sounds on a fast paced background beat. Boi doesn't stop - he absolutely rips the verses up. Killer Mike comes in next and spits a good verse too - feeling it. The last verse belongs to Jay Z and I have to give him props for this one. He goes well on this beat and finishes off the song with a bang. One of my favorite songs on this disc.
15. Interlude [N/A / 10]
Voice talking about Outkast. Just a brief skit with strange noises "flying" around in the background.
16. Reset [9.0 / 10]
Starts off very slow with hand claps in the background. And stays very slow throughout the song, with an R&B tone to it. Pianos and shell-sounds going off in the background. A very soothing song, even when Boi comes in with his smooth verses. They definitely did right by putting this song near the end of the CD. Also featured on this song are Khujo Goodie, and the always humorous Cee-Lo. I like both of their verses; they go with the song well.
17. D-Boi [N/A / 10]
Another interlude. Not interesting at all. Just talking.
18. Last Call [9.0 / 10]
It seems like every hip-hop/rap album coming out these days has to feature Lil Jon & The Eastside Boyz. This one is no exception - the difference is that they sound tight on the Outkast beats. Slimm Calhoun and Mello are also featured. This song is sort of a party-type song, with Jon screaming his heart out in the chorus, and the beat with some uplifting effects. It's basically talking about alcohol - the last call - in a club or wherever. Great overall.
19. Bowtie Postlude [N/A / 10]
Some jazzy sounds going on in the background as the final interlude ends the Big Boi CD. The comedown to a 56 minute climax. The end of the trip.