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Jun 23, 2003
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#5
EDJ said:
IN THAT CASE, TRY TAKIN' THE YELLOW OFF OF THE SUNLIgHT ON THE RIgHT AND MAYBE LIgHTENIN' THE YELLOW. JUST MY 51 CENTS.

Are you saying to lighten it to where the shadows on the right are actual light and not the overlay? I can lighten it but how do I lighten from the right?


Help me out.
 

EDJ

Sicc OG
May 3, 2002
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www.myspace.com
#8
azryda420 said:
Are you saying to lighten it to where the shadows on the right are actual light and not the overlay? I can lighten it but how do I lighten from the right?


Help me out.
WELL, I WAS TALKIN' ABOUT WHERE THE SUN HITS ON THE RIgHT AND NOT THE SHADOW(KEEP THAT TO THAT YELLOW AND MATCH THE LIgHT OF THE SUN TO LIgHT OF THE TUNNEL. AND WHAT OVERLAY ARE YOU TALKIN' BOUT? FOR ME TO KNOW WHAT EXACTLY YOU DOIN', I WOULD HAVE TO KNOW WHAT LAYERS YOU USED FOR WHAT AND gIVE YOU TIPS ON HOW TO BRINg OUT AND MANIPULATE THAT.

AND THE END OF THE TUNNEL LOOKS COO', MAYBE LIgHTEN THE OPAQUE LOOK OF THE YELLOW.
 
Jun 23, 2003
5,126
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#9
Yeah the end of the tunnell may be too bright. I just did an overlay and put the original behind it and hollowed out the end of the tunnell. I should lighten it up so is looks more real, and add an overlay to the end of the tunnell that blends with the rest of it.

Is that anywhere close to what you mean?

Hmmmnnn......
 

EDJ

Sicc OG
May 3, 2002
11,608
234
63
www.myspace.com
#10
azryda420 said:
Yeah the end of the tunnell may be too bright. I just did an overlay and put the original behind it and hollowed out the end of the tunnell. I should lighten it up so is looks more real, and add an overlay to the end of the tunnell that blends with the rest of it.

Is that anywhere close to what you mean?

Hmmmnnn......
NAW, THE END OF THE TUNNEL LOOKS FINE. THAT'S WHAT MAKES IT LOOK gOOD. THE YELLOW ON THE REST OF IT LOOKS OPAQUE. I KNOW A TECHNIQUE WHERE YOU HAVE CONTROL OVER THAT IN JUST ONE LAYER. WHAT YOU NEED PROBABLY SINCE YOU THINK THE END OF THE TUNNEL IS TOO BRIgHT AND I THINK THE REST IS TOO YELLOW IS PROBABLY ADD A DESATURATION LAYER AND PLAY WITH THAT. BUT I WOULD ADD A LEVELS OR CURVES LAYER TO THE ORIgINAL AND DESELECT THE OTHER LAYERS SO THEY'RE NOT VISIBLE. THEN I WOULD FUK WITH THE YELLOWS. AND THEN ON THE ALPHA CHANNEL, I WOULD INVERT IT(CTRL-I) AND THEN WITH THE PAINT TOOL COME BAK ON THE ALPHA CHANNEL AND REVEAL THE YELLOW WITH THE WHITE BRUSH.