New Jacka interview (thickonline.com)..

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Mar 11, 2005
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#1
I found this at thickonline.com. Sorry if this have been posted before, if so delete the thread.

Link:http://www.thickonline.com/interviews/index.php?mod=cnt&act=cnt&id=399

The Jacka
Saturday, October 29, 2005

Thick: When did you move to the Bay Area?
Jacka: Well, I'm originally from the Bay, from Pittsburgh, California. Really my family came to the Bay back in the day. My family they from Phoenix, Arizona. My pops is from L.A. and I was actually born in Phoenix but then when I was like four years-old I had moved to Oakland and I had stayed in Oakland until I was about thirteen, and then I moved to Pittsburgh and that's when I started getting into all kind of different little things. I'm from the Bay Area really, nowhere really else. I been a lot of different places but the Bay is where my home is at.

T: Okay, I had mistaken Pittsburgh for being the other Pittsburgh (laughs). How did you get into rapping and how did the Mob Figaz get together?
J: For real, when I first moved to Pittsburgh, really before that, my Uncle lived in Pittsburgh. I lived in Richmond, California at the time. I used to come to Pittsburgh on the weekends 'cause Richmond is a real tough. It's like the number one...right now it's in a state of emergency in Richmond. There's a lot of murders and stuff that go on out there. It's like the craziest city in the Bay Area. It's small and it's hella crazy. It's crazier than Oakland and it's crazier than Frisco. I loved comin' to Pittsburgh 'cause I didn't know nothing about it. It was like a new place to me and new faces, new people and it seemed like it was easy. An easier life to live. I used to just come out here and chill and shit. Finally my mom had moved out here but I had already had some friends from coming out here on the weekends. It was Rob, Ridah and Hussalah in my group but we wasn't a group yet. Rob, when he was a young dude his pops bought him a keyboard and a four-track, we was just going to his house. We used to just record songs on that. We started doing it, I was probably about twelve years-old when I met him and as soon as I met him we instantly hooked up 'cause he made beats and I rapped. He had a group, him and Husslah was a group. We'd just go over to his house and spend the weekend, and just make a lot of songs. Over the years the songs would get into the streets and people started liking them more than the songs they was going to go buy from the record store. We started taking it a lot more serious and just trying to be the best. As we got a little older, we were still in highschool, we had ran across C-Bo. We had run across his crew, the AWOL cats and he was in the penitentiary at the time. One of his boys, 151 had heard one of our tapes and he came and brought the whole AWOL faculty out there to meet up with us and listen to the music; throw a little party at this record store just for us. They did that, it was all good, they loved it. They told us C-Bo starting his own label, so when he get out he gonna want to see ya'll. So, the next week we met back up and he kidnapped us. From there it was on. That was like in '98, we was all still in highschool and shit. Next thing you know, we were like, fuck school and started rapping. Started taking that 100%. At the same time, I felt like to this day that it was a big mistake but we was all young at the time. C-Bo was probably like 22 or 23 at the time, when he got with us. He didn't know no better, he was young. So, we didn't realise that we could do the same things that we was doing and still go to school and everything. So, we just chalked that and decided to live this lifestyle. We got to take advantage of every opportunity that we get right now because really we gave up everything for it. That's how the Mob Figaz got together.

T: You still wanted to get your diploma?
J: I mean, that was a thing that I had wanted but it was already too late because I had already been out of school for a couple years when I had really started thinking about it. By then I was supposed to be in probably about the 12th grade or something and I was just like, fuck it man. By the time I turned 18, we already had an album out. So, I didn't even care, I was just like, forget it. Right now, I still don't care. I'm just saying that it's not a good idea. I don't want to put that out there to the youth that's gonna see this article like that was a big move. That was kind of like a mistake. We could have still finished the album and do all the stuff we doing now but we just got caught up in the streets. I let that opportunity slide past me.

T: Seems like with names like Jacka, Husslah, and Ridah, it sounds like ya'll supposed to be a group. How did Fed-X and AP-9 come into play?
J: Me and Fed X was a group first. His name was O-Fed and we were called Fatal Mentality. It was just me and Feddy. Ridah, Husslah and this other guy named Freak and AP-9 was a group called 100% Decon. Rest in peace Freak, he ended up going to jail, going to C.Y.A., that’s like a teenagers penitentiary for the teens out here in California. He had to go out there for two or three years. By the time he got out, we were already an established group. He was supposed to be in the Mob Figaz. That didn’t work, so he started his own group called The Ghetto Stars. But Ridah got his name, Ridah J. Clyde, from the streets from just being a little thug, you know a live wire. We all got our names at different times. Ya boy, Husslah, he was a hustler, he was on the streets when he was young. He was probably about 15 or 16, he had every kind of car out. He always had at least three or four thousand in his pocket everyday. Me, The Jacka, I had ended up catching a lot of cases for strong-arm robbery, armed robbery, grand theft, all kinds of little shit. It was at a time when I was locked, I was fighting a little case and this little dude, he was a little older than me at the time, he was finna go to C.Y.A., they was gonna send me to juvenile and he was going over my case 'cause he had already been fighting a case. He was like, “Man, shit you the Jacka boy. You do a lot of robbing and shit. I’m a start calling yo ass the Jacka." So, we ended up getting locked up and shit. He just called me Jack or Jacka, one of the two everyday and the next thing you know everybody started calling me that and that’s how I got that name. Yeah, it sounds like we were supposed to be a group but it just ended up being like that. It was a coincidence. AP-9, he from Frisco. We all from different places though. First time I met up with Feddy, I was living in Richmond before I moved to Pittsburgh. Plus, Feddy is my cousin, I found out he was my cousin back then too. AP-9, he from Fillmore, Frisco. It’s this area called Fillmore where Messy Marv, Done Deal Family and all of them dudes is from. Ridah and Husslah they’re actually from El Pablo Projects. They from Pittsburgh, they actually was born in Pittsburgh. They really from around here. Them some solid cats. It always felt good to be around them. So, it was cool, the chemistry was cool for our group.

T: What was that guys name that didn’t make the group?
J: Freak-O, around the Pittsburgh area he was like the biggest. Him and Ridah were like, nothing to do with the music, just off the streets they was notorious out here. We looked up to them dudes. We looked up to being like that.

T: Since the first Mob Figaz album what have you been up to?
J: We was working on the Mob Figaz album for a long time and our boy C-Bo, he be going in and out of jail a lot. So, it kind of put a pause on that up until now really. He just got out this last month. He just did two years and before that he did another two years. So, it put us on hold for a long time. I just been working. I started my own record label. I put out a first solo album, it was self-titled 'The Jacka'. I started a record label called Akbar Records with some guys and it was doing real good but the guys I was dealing with they got themselves into a little trafficking trouble. They had to go lay it down and go do some time. So, I had to start a new label called The Artist Records. I had to start from scratch. I got people around right now working for me who believe in what it is that I’m doing, so it’s gonna work just like that. We don’t need to do nothing else but music. 'The Jack Artist' album I just put that out. I just been working that album in the streets right now. It’s been doing good. I get a lot compliments around here from all the top artists, radio stations, DJs and all the people they support me. I just gotta keep coming with it and let them know. 'Cause my whole thing is I just really want to bring back some pride to this Hip-Hop thing. Something that people can really feel proud of, like it was original again. Just like it first started, like people being proud of something that’s big and tight. You don’t feel embarrassed playing it, like it ain’t like a all-radio gimmick album like, I’m just trying to get the clubs and shit like that. I really try to reach people everywhere. I try to make stuff that people are definitely gonna listen to and definitely gonna feel real proud of playing.
 
Mar 11, 2005
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T: What Hip-Hop do you listen to right now?
J: Actually, I don’t listen to a lot of Hip-Hop music. I used to when I was a kid, the music was good, it seemed like it was a little bit better. But right, now the way Hip-Hop is, it’s like everybody gotta do commercial. So, it’s like I can’t listen to none of that shit, man, because it ain’t real, it’s not from your heart. I been listening to nothing but reggae. A little bit of alternative music because it’s just different. I listen to a lot of underground rap. I don’t really listen to the mainstream shit. When I was a young dude, like I said, we was in the lab, we had a lot of time to craft our styles. Because when we first started doing songs, I think I was like twelve and a half, thirteen years-old...up until now. So, I had a lot of time to practise. I had time to come up with a style, as well as all of us had a different style. I just like reggae music, man, and I’m influenced by that.

T: Who are some of your reggae influences?
J: Everybody man...everything from Dancehall to Roots, I listen to everything. I listen to Black Uhuru, Sizzla, Capleton, Norseman, Bushman. The transition from ‘98 to 2000 I liked all the compilations that was coming out then, as far as dancehall go. But right now I’m feeling it a little bit but it’s not the same, man, 'cause everything, all the music is becoming commercial right now a little too much. So, everybody who hella tight you really ain’t gonna get a chance to hear ’em because right now the industry is on some commercial shit. I really just been on Black Uhuru 'cause I didn’t really feel them at first, I didn’t really understand it but now I understand it, and it’s crazy, man, I'm really feeling them lately. I used to just listen to Sizzla, Morgan Heritage, Capleton, I just listen to that kind of shit at first. But now I been listening to all kinds of stuff, Warrior King, I just been going stupid with it right now.

T: How bout Luciano?
J: C’mon man, you know it. We fucks with Luch, man. That shit is dope to me, man. A lot of stuff coming out on VP is hella tight.

T: Have you talked with C-Bo since he got out?
J: Yup, I talked to him the day after he got out I talked to him out at the BET Awards in LA, he live in LA. So, we had hollered at him. Me and Feddy, just to see how he was doing and everything but not to rush him into nothing because he got a family and everything. With this rap game you can’t really get to caught up in it, man, because you’ll find yourself spending a lot of time away from your family because of your lifestyle, your music. When you're independent, you gotta work that much harder than a major artist because you're doing everything on your own and you really don’t get a chance to spend enough time with your family. By him going to jail that’s taking away from them. He already said, it’s all good, everything is cool, but I’m not trying to rush him. I want him to do what he got to do for his family and shit. Whenever he come back we gonna do it. All my boys is ready, he ready, all the Figaz is ready.

T: Let's talk about your latest solo album.
J: Well, the album is really a old album. Like the music on there is kind of old. I did all them songs in like 2002. It took awhile because before I had started this label The Artist, I still had the Akbar label and everything was running smooth until they caught a little case and shit. What really took so long to put it out was getting this label started. I had to go through a whole bunch of other legal shit to get this label going to put this album out and get the bread together to promote and do everything I got to do for an album. It really didn't take long to do the music. It just took long to get the label together to drop the album but I realize that the kind of music that it is, it's not gonna get old. Like the kind of lyrics that's on that music. Even though I did it then, nobody knows because the way that I did it. I did it so it wouldn't be no fly by night shit. It's some music you can actually grow on. It ain't none of that quick, okay, that was that. Oh yeah, that song, you get tired of it and shit. Nah, I ain't want to do none of that shit. 'Cause I knew that I'm independent. I'm not no major artist. I don't have to come out with an album every fucking month or a radio song every month to have people loving me. I come out with some real shit once a year if I got to and push it for five years if I really wanted to.

T: What's your connection to Cormega? You have him on your album and he has you on his album.
J: Oh yeah, I got Cormega on two songs on my first solo album self-titled 'The Jacka'. I had met him in 2000 or 2001 and we was in GA at a black rally or something. I was in the mall shopping and I seen one of his boys from out there, DJ Unique and he was like, "I got plug on the East Coast already." He named a few people and when he said Cormega, I was like, "Man, where he at?" 'Cause my boy Ridah, he was up on all that shit back in '95-'96 when you had to be hella tight. When you was from the East Coast you had to be raw, and the underground cats was hella raw, they wasn't no where near commercial then. We used to listen to it 'cause it was hard just like us and Cormega was like one of the main cats. He was in the pen at that time I think though. That's all we used to hear about, Cormega this, Cormega that, he's a real nigga. So, when he told me he had a line on Cormega, I was like, "Man, definitely plug that". So, he plugged it and we flew him out to California, to the Bay area. It was on since then. You know, he my friend, that's my nig, that's my boy. He came out here and he made about twenty thousand or something in the Bay when he came out here. 'Cause everybody was doing good and everybody wanted a Cormega feature. He did about four or five songs out here, he made about twenty thousand doing that. I guess that was cool 'cause he an independent artist too. He known on a major level though and he sort of like C-Bo. He can sell like fifty, sixty every time he drop independently and live. So, he came out and it was Too Short's birthday that day. We took him to Too Short's party and introduced him to Short, and there was a bunch of raw shit going on afterwards and shit. He just been coming out here ever since on his own. Even if I ain't around he still come 'cause he likes the way the Bay Area is, he just like the feel. So, he just come fuck with it, show niggas love and niggas show him love. He really just come to get away. It got to the point now, it ain't even about the music no more. It's just he coming because he like it, it's cool now. You know we just hooked up back then, but that's my boy though.

T: You got a new side project coming out with Husslah?
J: Yeah, it's called The Shower Posse. Yup, me and Huss got that coming out. It's sort of like a reggae album but it's not. It's sort of like the style we've got but we feature a lot of reggae artists on this album. We got Norseman on there, we trying to get Turbulence and Sizzla on there. I know we're gonna get Sizzla for sure but were trying to get Turbulence too. A couple other cats too like Mr. Vegas. Some cats that's raw that I think niggas is sleeping on. Because we was up on Sean Paul and Mr. Vegas and Elephant Man and all them cats when they was raw. Like when Elephant Man was in the Scare Dem Crew with Bounty Killer and all them back in the days. People are just now getting up on them. So, they didn't hear them when they was young and hungry. So, we got some young and hungry...we got this dude, he live in Fort Lauderdale, Florida. When I was out there on Memorial Day I met him. His name is Rapid Gun. He signed with VP too. You know we gonna get him on there. It's gonna be just like a reggae album but with a whole other feel, like some new shit. Something that nobody else has ever done. So, I'm really excited about this project.
 
Mar 11, 2005
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#3
I was surprised when he said that "The Jack Artist" was recorded in 2002, that`s one of my favourite albums this year...
This interview answers some of the questions regarding where the different members of Mob Figaz originate from.
 
Feb 10, 2004
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#8
I swear I don't really buy albums, but I'm gonna buy his, no matter how many songs i got or heard already. I like how he is still doing press and shit to support an album he made damn near 3 years ago. That is how the old artist use to do it, you do an album and push it in till you can't no more, then you make a new one to grow your fanbase. Almost no radio play, just good interviews and good reviews, letting the music kinda speak for itself, no gimmicks. This is a movement.
 
Sep 24, 2004
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thug thizzle said:
the Shower Posse?!?!im a big Mob Figaz fan but they have to change that name
They might wanna slow it down when they reach Miami. Vivian Blake and the real Shower Posse used to be crafty with their murder game, shit I remeber a story my dad told me about the Shower Posse pulling Suge Knight tactics on Bob Marley and family.