Mixdown tips

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Dec 29, 2002
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#1
Building a great mix starts with organizing how you approach it. To achieve the best mix for hip hop, break down your mix into a specific order of steps as the Pro's do. The following mix methods will help you avoid rushing or losing focus on achieving the best sound:

1) Place priority on mixing the drums & bass first. Achieving a soild drum & bass foundation gives your mix a strong backbone. If you focus on the drums and bass first, the rest of your mix will naturally fall into place.

2) Even though many producers mix the entire instrumental song before adding in the lead and background vocals - it's a big mistake! After you've built the drum and bass mix, move straight into placing your lead vocal tracks into the heart of it. Build a solid mix with these 3 components before adding in your other tracks.

3) After the drums, bass, and vocals are solid, add in your other melodic tracks such as guitar, piano, strings, etc. Leave out any percussion or sound effects at this point. Pan these melodic tracks around the lead vocal, finding a pocket for each addition. Make sure not to compete for the lead vocals attention, but instead support the vocals as complimentary.

4) Save the percussion and sound effects tracks for last. Typically it's wise to pan these last tracks outside your drums, bass, vocal, and melodic tracks. Use your percussion and effects tracks to fill in spaces in the mix that seem unbalanced. By this step your mix should be well shaped and balanced!
 
May 6, 2002
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nonstop.bandcamp.com
#2
also...

as far as eqing goes...

CUT HOLES FOR YOUR MUSIC... let it BREATH

vocals are usualy sticking out in the mix around 2.5k-3.5k, and pianos, strings, snares, and other instruments ALSO sound good in that range.. but if you boost your vocals there, you have to cut a lil in the rest of the necessary instruments in that range...

kick drums and bass are also two that share alot of the same frequencies... so if you boost your bass at 120hz, and cut at 60hz, you should in return boost your kick at 60hz, and cut at 120hz......


anybody else use the "new york" compression technique with the drums???
 
May 6, 2002
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nonstop.bandcamp.com
#5
heresy

I got some shit for you brotha.. ima have to send it snail mail tho, im back to the stone age wit the dial up... i still got your addy tho, so i can get somethin together for you and off by monday...

and yeah, BOOSTING is bad on alot (not all) digital programs, and cheep mixers/eq racks, so you can get the same effect if you compress the signal to get it to sound a lil louder (dont really squeeze it tho, just bring the level up) and cut around the frequency you wanted to boost...

im still learning alot, but ive learned out how to eq to bring the overall loudness up when it hits the mastering stage... and that woulda flown over my head a while ago... i woulda been like, "sht it dont matter, its the limiting and compression"

if you have a bottom heavy mix, it will sound weaker then one with the low end mixed right when it hits mastering.

overall perceived loudness...
 
Apr 25, 2002
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#6
here's something for tracking
TRACK YOUR SYNTHS/KEYBOARDS THROUGH A MIC PRE line in- not d/i
TRACK YOUR SYNTH IN MONO NOT STEREO
DO NOT TRACK THROUGH YOUR HEADPHONE OUT, IMPEDANCE ISSUES
if you're using soft synths, run them out through a micpre and back in as a return etc
a good micpre will beef up your keyboard in such a beautiful way