mic

[Nonstop]

whats da best mic on da market????

 

[Mr. Samos]

I don't think there is a "best" mic out of them all, every microphone is different, they each sound different, are used for certain things, and have there +'s and -'s.

What is your price range

50 to $200? 200 to $500? 500 to $2000?

And, what is your main focus? studio vocal recording? or for live performances? maybe instrument recording? etc that all has to do with the type of mic to get.

pz

 

[Nonstop]

studio vocal... pic a price.... i see all types of mics, but im lookin for the most common mic used by professional mastering studio

 

[HERESY]

^^^^^ I DONT THINK A LOT OF PRO MASTERING STUDIOS CARRY MICS. WHAT WOULD BE THE PURPOUSE?


:h:

 

[Nonstop]

^^^^^

YALL KNOW WHAT DA FUCK I MEAN

 

[Nonstop]

A QUALITY MIC... REGARDLESS OF PRICE

 

[HERESY]

^^^^ DUDE YOU TYPED IT. I DONT KNOW WHATS GOING ON IN YOUR HEAD.

ANSWER ME THIS.

WHAT TYPE OF PRE AMP OR MIXER DO YOU HAVE?

WHAT TYPE OF VOCALS DO YOU PLAN ON RECORDING?

:h:

 

[Nonstop]

yamaha aw4416.... vocals ranging from rapping to singing

 

[Nonstop]

"WHEN YOU MAKE ENTIRE THREADS DIRECTED AT ME THINK FOR A SECOND.....DO I HAVE THAT MUCH POWER OVER YOU? I WOULDNT DEVOTE A THREAD TO YOU AND HONESTLY I CARE LESS ABOUT YOU. WHY DO YOU ALLOW ME TO CONTROL YOUR MIND? WHY DO YOU ALLOW ME TO GET UNDER YOUR SKIN? WHY ALLOW YOURSELF TO BE MANIPULATED INTO MAKING SILLY THREADS AND POSTS? DANCE FOR ME FOOL.......DANCE FOR ME.......~HERESY"



dats hard

 

[kev ski]

NEUMANN U87

 

[Nonstop]

greatly apriciated

 

[Nonstop]

/\/\/\/\/\@kev ski

did u get my pm???

 

[HERESY]

NEUMANN U87

YOU SHOULD LOOK INTO THE NEUMANN MICS.


AKG 3000B

KSM32

RODE NT1

SHURE 58 (A LOT OF PEOPLE USE THIS FOR BACKGROUND VOX)

CHECK OUT THE "BLUE" MICS.


http://www.micguys.com/blue/blue.htm


ARE YOU GOING TO USE THE PRE AMPS ON THE 4416 OR ARE YOU GOING TO USE AN EXTERNAL ONE?

:h:

 

[Nonstop]

the 4416... im just tryin to get a good preproduction setup, so i can have sumthin to work wit....

 

[HERESY]

MAKE SURE YOU GET SOMETHING THAT WILL BE ENHANCED (QUALITY WISE) IF YOU DECIDE TO USE AN EXTERNAL PRE LATER ON DOWN THE LINE. MICS AND MIC PRES SHOULD BASICALLY COMPLIMENT EACH OTHER. YOU DONT NEED WEAK LINKS IN YOUR RECORDING CHAIN.

ALSO IF YOU CAN FIT THE BILL GET A GREAT CONDENSER AND AN "OK" DYNAMIC MIC. PRACTICE GREAT MICING TECHNIQUES BECAUSE MOST OF THE TIME ITS ALL BASED ON WHERE THE MIC IS PLACED,WHERE THE VOCALIST OR INSTRUMENT IS OR THE ROOMS ACOUSTICS.

WHAT ABOUT COMPRESSORS? YOU GONNA USE THE ONBOARD COMPRESSORS OR EXTERNAL?


:h: