http://thaformula.com
"From Ruthless 2 Death Row"
ThaFormula.com Staff - ThaFormula.com was named after one of the greatest tracks ever recorded, the D.O.C.'s "The Formula." It's only fitting that we introduce our greatest interview to date, with the man behind the name, and one of the greatest MC's of all time. So sit back, relax, and light up a phat one as we present to you Part 1 with the D.O.C. We call this masterpiece, "From Ruthless To Deathrow." This interview was conducted March 19th 2002.
ThaFormula.com - First off, I just wanna say that this is an honor, and that in my opinion if it weren't for your tragic accident, you would have been the greatest MC of all time...
D.O.C. - Now wait a minute, what's up with this would have been shit? Don't count me out like that!
ThaFormula.com - Nah man, I'm sayin' at this point in time I feel you would have been the best and I say that only because you and Dre were one of the greatest combinations of all time...
D.O.C. - Ok, well thank you brother, and you know what I think man? I think you are exactly right, and I don't mean any disrespect to nobody, but I think you are absolutely, exactly right, and when I say don't count me out yet, don't let it be because my voice is gone that that takes that marquee away from my name. We still working on me being the greatest of all time. It just may take a little while.
ThaFormula.com - I always thought that you wrote a lot of the material from the early Death Row days. Did you have a lot of input when it came to that?
D.O.C. - Well what I did was the same thing I do with these young guys now, which is that I don't persay write the shit, but I don't allow them to write bullshit. I listen with a loving ear, that means I want you to be the shit and everything less just ain't civilized.
ThaFormula.com - I always tell people that I felt the biggest tragedy in hip-hop, was the day you got in that accident and lost your voice. Hip-hop was robbed of what would have been one of, if not the greatest MC of all time?
D.O.C. - Well god works in his own time and he works in mysterious ways, so it must have been meant for me not to say nothing for these ten years, but for some reason I feel like talkin' now. So I'm ready to talk, and I can rap a little bit. It may not be what it once was but these words still sting pretty heavily. Although the vocal power ain't what it once was, it's still a lot of power in this raspy voice I got.
ThaFormula.com - I'd like to start from the beginning Doc, let's go back to the early years and let all those that don't know, exactly how it all started?
D.O.C. - Well N.W.A. hadn't really got together yet. At least the group that the world knows as N.W.A. hadn't really all come together yet. When I got there everybody started finding there places. Everybody had their own individual skills, but Cube belonged to another group called C.I.A. at the time. Eazy was doing his own records at that time. Dre was just a producer, Ren was around and Dre worked with Yella. There was another dude around called Arabian Prince. All those guys was working with each other. Everybody was doing they own shit, but they all worked together. By the time I got there, guys really started taking that shit serious and they stopped fucking with Arabian Prince. Cube came from C.I.A. and left his other group alone. That's when we started doing work all together, but N.W.A. hadn't even really started working on it's material. We all spent all our time trying to put Eazy's record together.
ThaFormula.com - What did you do for the Eazy-E album "Eazy Duz It?"
D.O.C.- I wrote about maybe 30 or 40 percent of that record. I wrote "Still Talkin Shit," I wrote "We Want Eazy," and more.
ThaFormula.com - You came from the South, how did you and Dre hook up?
D.O.C. - Well there was this dude named Dr. Rock who used to DJ with Dre at a club called the "Eve After Dark." Well, Dre came down to visit this dude Dr. Rock because Dr. Rock had moved from Compton and came down here and got a gig on the radio. Well, when this rap shit started happening, Rock tried to put him a group together. I was in the group Fila Fresh Crew. Dre came down and was visiting with this dude and ended up doing some beats at this dudes crib for us, and once me and Dre started coming together, dude was like "nigga you the shit," "If you come out to the West Coast, I guarantee you we will be rich." Well later on I found out this dude Rock was taking money, so I gave Dre a call. To me it was all about the music. I've never been a really a street kind of dude. I'm more of a thinker.
ThaFormula.com - And at that time it was all about the music and nobody was really thinkin' about being rich were they?
D.O.C. - Shit nah. I think what Dre saw was my ability to help him make great records. Making a hit song for Eazy-E wasn't the easiest thing in the world. Eazy didn't have any rhythm, so it was hard to cross and besides I think Dre wanted to cross over his music so he could get it played on the radio. At that time they wasn't playin that gangsta shit on the radio. They wasn't trying to hear that, but if I could write songs for Eric that were gangsta, but not "gangsta," uh , I could have Eazy talkin' about all the gangsta shit in the world, but use words that don't scare white people. That's really all it was.
ThaFormula.com - Looking back, you had a hell of a vocabulary for coming out of a gangsta rap camp like N.W.A.?
D.O.C. - Sure, but I was a reader. I was always a reader as a young kid. I was never outside in the streets sellin' this doing that. I used to read books, that's what I did. I actually read books so that I could trick my parents into thinkin' that I was going to school and shit. But once I got to the West Coast, it was just such a thrill to be in California. I had been to L.A. as a kid or young child, but as an adult I had never been to L.A., so my vibe was so great I was putting songs together in fuckin' 5 minutes back then. I can't remember one rap I wrote that Eazy didn't love, and muthafuckas in L.A. from Dre's relatives to Eazy's relatives to Cube's friends didn't love. Muthafuckas were like, "Doc you the shit!" Once they came in like that it was hard for me to come back to Texas because Texas never showed me that kind of love, but from the time I got off the plane in California, them muthafuckas was like, "nigga you the shit."
ThaFormula.com - What happened after that?
D.O.C. - Well I was just a part of the team at that time. See, to me there was no difference between Eazy-E, N.W.A. or D.O.C. There was just titles that you put on a record. Like in my heart of hearts, you can't have an N.W.A. record without me, but anytime you see anything about N.W.A. in magazines they will never mention my name, but I was a pivotal part of that scene.
ThaFormula.com - You had the dopest intro on the "Straight Outta Compton" LP, which was for the track "Parental Discretion is Advised." What type of input other than track that did you have on that album?
D.O.C. - Well whenever you heard Eazy rappin', that was me, and then I stuck my own shit in like when Dre was doing the court room shit before "Fuck the Police," I was in there at the end. But to me it was more about making Eazy sound like he the shit. That was my job, and I took that shit serious. After the N.W.A. record it was just my turn.
ThaFormula.com - Was there a problem with that? I always wondered if that wasn't one of the reasons that Cube left, other then money?
D.O.C. - Nah, Cube just had problems with Eazy and the money, and Jerry Heller was really Eazy's downfall in the business world.
ThaFormula.com - Was Jerry Heller really as bad as they made him out to be?
D.O.C. - Well I don't know if he was as bad as muthafuckas claim, but he was just a Jewish guy that was in a position of power as far as Eazy was concerned. Eazy still had to sign the paper. He still had to sign the check, but Jerry would convince this guy that this is the best move or that it is the best move, no matter what any of us said, Eazy was gonna do what the fuck Jerry said because he felt that the guy was right. He had taken him from just makin' money on the street doing what he was doing, to being a serious businessman and making great music. I mean he wasn't really controlling shit, but he was in Eazy's ear so tuff and Eazy had so much faith in him that I guess you could really say that to a certain extent, yeah he was. He had a lot of control over Ruthless, a lot more then any of us had. So when you think about when the money started coming and I'm sure it was more money and faster then Eazy had ever made working on the streets, but Eazy chose not to share it with those guys the way they wanted it to be shared. The way they wanted to be compensated for their hard work. So instead of this dude saying "well let me take a step back and try and fix this shit because this is my business," he took the street stance of, "nigga this is my shit, fuck you," "you can beat it if you want to." So that's what the fuck Cube did.
ThaFormula.com - Did this problem start before or after your album was gonna drop?
D.O.C. - Yeah, the problem happened before we even got off into my record.
ThaFormula.com - So when did the decision to do your record come?
D.O.C. - It was just a natural process. We'll do Eazy's then well do N.W.A.'s, then I'm next.
ThaFormula.com - Why wasn't Cube next, because it always seemed like he would be the next one with the solo album?
D.O.C. - Well, N.W.A. had music out. I don't think Cube was really trippin' on a solo album at that time. He wasn't sayin, "I want an Ice Cube record." He wasn't trippin' like that. He was happy in N.W.A. He just wasnt getting paid.
"From Ruthless 2 Death Row"
ThaFormula.com Staff - ThaFormula.com was named after one of the greatest tracks ever recorded, the D.O.C.'s "The Formula." It's only fitting that we introduce our greatest interview to date, with the man behind the name, and one of the greatest MC's of all time. So sit back, relax, and light up a phat one as we present to you Part 1 with the D.O.C. We call this masterpiece, "From Ruthless To Deathrow." This interview was conducted March 19th 2002.
ThaFormula.com - First off, I just wanna say that this is an honor, and that in my opinion if it weren't for your tragic accident, you would have been the greatest MC of all time...
D.O.C. - Now wait a minute, what's up with this would have been shit? Don't count me out like that!
ThaFormula.com - Nah man, I'm sayin' at this point in time I feel you would have been the best and I say that only because you and Dre were one of the greatest combinations of all time...
D.O.C. - Ok, well thank you brother, and you know what I think man? I think you are exactly right, and I don't mean any disrespect to nobody, but I think you are absolutely, exactly right, and when I say don't count me out yet, don't let it be because my voice is gone that that takes that marquee away from my name. We still working on me being the greatest of all time. It just may take a little while.
ThaFormula.com - I always thought that you wrote a lot of the material from the early Death Row days. Did you have a lot of input when it came to that?
D.O.C. - Well what I did was the same thing I do with these young guys now, which is that I don't persay write the shit, but I don't allow them to write bullshit. I listen with a loving ear, that means I want you to be the shit and everything less just ain't civilized.
ThaFormula.com - I always tell people that I felt the biggest tragedy in hip-hop, was the day you got in that accident and lost your voice. Hip-hop was robbed of what would have been one of, if not the greatest MC of all time?
D.O.C. - Well god works in his own time and he works in mysterious ways, so it must have been meant for me not to say nothing for these ten years, but for some reason I feel like talkin' now. So I'm ready to talk, and I can rap a little bit. It may not be what it once was but these words still sting pretty heavily. Although the vocal power ain't what it once was, it's still a lot of power in this raspy voice I got.
ThaFormula.com - I'd like to start from the beginning Doc, let's go back to the early years and let all those that don't know, exactly how it all started?
D.O.C. - Well N.W.A. hadn't really got together yet. At least the group that the world knows as N.W.A. hadn't really all come together yet. When I got there everybody started finding there places. Everybody had their own individual skills, but Cube belonged to another group called C.I.A. at the time. Eazy was doing his own records at that time. Dre was just a producer, Ren was around and Dre worked with Yella. There was another dude around called Arabian Prince. All those guys was working with each other. Everybody was doing they own shit, but they all worked together. By the time I got there, guys really started taking that shit serious and they stopped fucking with Arabian Prince. Cube came from C.I.A. and left his other group alone. That's when we started doing work all together, but N.W.A. hadn't even really started working on it's material. We all spent all our time trying to put Eazy's record together.
ThaFormula.com - What did you do for the Eazy-E album "Eazy Duz It?"
D.O.C.- I wrote about maybe 30 or 40 percent of that record. I wrote "Still Talkin Shit," I wrote "We Want Eazy," and more.
ThaFormula.com - You came from the South, how did you and Dre hook up?
D.O.C. - Well there was this dude named Dr. Rock who used to DJ with Dre at a club called the "Eve After Dark." Well, Dre came down to visit this dude Dr. Rock because Dr. Rock had moved from Compton and came down here and got a gig on the radio. Well, when this rap shit started happening, Rock tried to put him a group together. I was in the group Fila Fresh Crew. Dre came down and was visiting with this dude and ended up doing some beats at this dudes crib for us, and once me and Dre started coming together, dude was like "nigga you the shit," "If you come out to the West Coast, I guarantee you we will be rich." Well later on I found out this dude Rock was taking money, so I gave Dre a call. To me it was all about the music. I've never been a really a street kind of dude. I'm more of a thinker.
ThaFormula.com - And at that time it was all about the music and nobody was really thinkin' about being rich were they?
D.O.C. - Shit nah. I think what Dre saw was my ability to help him make great records. Making a hit song for Eazy-E wasn't the easiest thing in the world. Eazy didn't have any rhythm, so it was hard to cross and besides I think Dre wanted to cross over his music so he could get it played on the radio. At that time they wasn't playin that gangsta shit on the radio. They wasn't trying to hear that, but if I could write songs for Eric that were gangsta, but not "gangsta," uh , I could have Eazy talkin' about all the gangsta shit in the world, but use words that don't scare white people. That's really all it was.
ThaFormula.com - Looking back, you had a hell of a vocabulary for coming out of a gangsta rap camp like N.W.A.?
D.O.C. - Sure, but I was a reader. I was always a reader as a young kid. I was never outside in the streets sellin' this doing that. I used to read books, that's what I did. I actually read books so that I could trick my parents into thinkin' that I was going to school and shit. But once I got to the West Coast, it was just such a thrill to be in California. I had been to L.A. as a kid or young child, but as an adult I had never been to L.A., so my vibe was so great I was putting songs together in fuckin' 5 minutes back then. I can't remember one rap I wrote that Eazy didn't love, and muthafuckas in L.A. from Dre's relatives to Eazy's relatives to Cube's friends didn't love. Muthafuckas were like, "Doc you the shit!" Once they came in like that it was hard for me to come back to Texas because Texas never showed me that kind of love, but from the time I got off the plane in California, them muthafuckas was like, "nigga you the shit."
ThaFormula.com - What happened after that?
D.O.C. - Well I was just a part of the team at that time. See, to me there was no difference between Eazy-E, N.W.A. or D.O.C. There was just titles that you put on a record. Like in my heart of hearts, you can't have an N.W.A. record without me, but anytime you see anything about N.W.A. in magazines they will never mention my name, but I was a pivotal part of that scene.
ThaFormula.com - You had the dopest intro on the "Straight Outta Compton" LP, which was for the track "Parental Discretion is Advised." What type of input other than track that did you have on that album?
D.O.C. - Well whenever you heard Eazy rappin', that was me, and then I stuck my own shit in like when Dre was doing the court room shit before "Fuck the Police," I was in there at the end. But to me it was more about making Eazy sound like he the shit. That was my job, and I took that shit serious. After the N.W.A. record it was just my turn.
ThaFormula.com - Was there a problem with that? I always wondered if that wasn't one of the reasons that Cube left, other then money?
D.O.C. - Nah, Cube just had problems with Eazy and the money, and Jerry Heller was really Eazy's downfall in the business world.
ThaFormula.com - Was Jerry Heller really as bad as they made him out to be?
D.O.C. - Well I don't know if he was as bad as muthafuckas claim, but he was just a Jewish guy that was in a position of power as far as Eazy was concerned. Eazy still had to sign the paper. He still had to sign the check, but Jerry would convince this guy that this is the best move or that it is the best move, no matter what any of us said, Eazy was gonna do what the fuck Jerry said because he felt that the guy was right. He had taken him from just makin' money on the street doing what he was doing, to being a serious businessman and making great music. I mean he wasn't really controlling shit, but he was in Eazy's ear so tuff and Eazy had so much faith in him that I guess you could really say that to a certain extent, yeah he was. He had a lot of control over Ruthless, a lot more then any of us had. So when you think about when the money started coming and I'm sure it was more money and faster then Eazy had ever made working on the streets, but Eazy chose not to share it with those guys the way they wanted it to be shared. The way they wanted to be compensated for their hard work. So instead of this dude saying "well let me take a step back and try and fix this shit because this is my business," he took the street stance of, "nigga this is my shit, fuck you," "you can beat it if you want to." So that's what the fuck Cube did.
ThaFormula.com - Did this problem start before or after your album was gonna drop?
D.O.C. - Yeah, the problem happened before we even got off into my record.
ThaFormula.com - So when did the decision to do your record come?
D.O.C. - It was just a natural process. We'll do Eazy's then well do N.W.A.'s, then I'm next.
ThaFormula.com - Why wasn't Cube next, because it always seemed like he would be the next one with the solo album?
D.O.C. - Well, N.W.A. had music out. I don't think Cube was really trippin' on a solo album at that time. He wasn't sayin, "I want an Ice Cube record." He wasn't trippin' like that. He was happy in N.W.A. He just wasnt getting paid.