Boston (BENZINO'S HOMETOWN) newspaper bashes Benzino and Source:

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Aug 12, 2002
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www.veronicamoser.com
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After a judge agreed yesterday to allow The Source to publish a 20 second clip of the Eminem recording they've labeled "racist", a journalist from Benzino's hometown newspaper, The Boston Globe, is criticizing The Source's integrity, intentions and motives.

The Boston Globe's Renee Graham called The Source's motives "suspect" considering the more prominent and detrimental issues in hip-hop which the magazine has never addressed so vociferously.

"Benzino and Mays claim to be concerned with exposing 'influences corrupting hip-hop,' but there are far more serious issues - such as a lack of creativity, obsessions with wealth, and yes, ongoing anti- woman, anti-gay rhetoric - facing the community than the contents of a scratchy old tape," states Graham, who publishes the popular "Life in the Pop Lane" column.

And echoing the sentiment of many in the hip-hop community who've since moved on from caring about "the tape", Graham tells Benzino and Mays, to "move on" and cites Benzino's own racism for attacking Eminem simply because he's successful and white in hip-hop.

"Eminem has acknowledged the tape's veracity and has apologized. It's time to move on. Perhaps when The Source becomes as concerned with the state of rap music as with playing out a strange, personal vendetta with its own racist undertones, then the magazine may be more successful in exposing and ridding hip-hop of its corrupting influences."



-SOHH.com
 

GHP

Sicc OG
Jul 21, 2002
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#3
fuck benzinos buster ass, using his magizine to sling mud on people he don't like. thats very unprofessional of him
 
May 14, 2003
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#4
THE FULL BOSTON GLOBE STORY:

Eminem's old words aren't hip-hop's biggest problem
By Renee Graham, Globe Staff, 12/23/2003

When his Grammy-winning, multimillion-selling CD, ``The Marshall Mathers LP,'' was vilified by some as homophobic and misogynistic, Eminem responded by abusing an inflatable doll (in the guise of his then-wife Kim) in concert, and flipping off the audience after performing a duet with Elton John at the 2001 Grammy Awards.

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Defiant and unapologetic, Eminem racked up sales and awards. Accusations of hatred toward women and gays only enhanced his reputation as a rebel who, as he claimed on ``The Real Slim Shady'' was ``only giving you things you joke about with your friends inside your living room, the only difference is I got the [expletive] to say it in front of y'all, and I don't gotta be false or sugarcoat it at all.''

Yet Eminem's reaction has been markedly different since being branded a racist by the hip-hop magazine The Source.

Last week, a federal judge granted Eminem's request for an injunction against the magazine, preventing its editors from releasing with its February issue a CD featuring an old recording of the then-unknown rapper making derogatory remarks about black women. Yesterday, however, the judge authorized The Source to publish up to 20 seconds of the recording on a CD. The tape was aired at a November press conference with The Source's owners, David Mays and Ray ``Benzino'' Scott. On an untitled song, Eminem drops N-bombs and disses black women.

Eminem quickly admitted he had made the tape, but in a statement added the song was ``made out of anger, stupidity and frustration when I was a teen-ager,'' after breaking up with a black girlfriend. Then the rapper did something he never did when he was called a homophobe and misogynist - he apologized.

``So while I think common sense tells you not to judge a man by what he might have said when he was a boy, I will say it straight up: I'm sorry I said those things when I was 16.'' (The Source's editors maintain the tape was made in 1993, when Eminem was 21.)

If Eminem never showed an ounce of remorse for his anti-woman, anti-gay rhymes, that's because he knew such vitriol was so commonplace in hip-hop lyrics that it would have no effect on his seemingly bulletproof career. But as a white rapper accused of racism, Eminem, probably for the first time in his career, is worried about negative public perceptions.

Without question, Eminem, 31, is one of the best rappers in hip-hop history. With a nasal Midwestern flow as outrageous as his lyrics, Eminem's considerable talent as a rapper cannot be denied, even if his lyrics are sometimes bullying and hateful.

But being called a racist in a musical culture that remains overwhelming African-American could shake Eminem's career. Since his 1999 major-label debut, ``The Slim Shady LP,'' put him on the hip-hop map, he has studiously avoided racial epithets that could alienate black fans. When asked several years ago why he never used the N-word, a staple of many mainstream hip-hop recordings, in his songs, Eminem told Rolling Stone's Anthony DeCurtis, ``That word is not even in my vocabulary. And I do black music, so out of respect, why would I put that word in my vocabulary?'' Eminem has always understood that making it in hip-hop meant more than clever lyrics and juicy beats - without the acceptance of black fans, he would be as dissed and dismissed as Vanilla Ice.

In the hip-hop industry, so far only Irv Gotti, head of the Inc. (formerly Murder Inc., label home of Ja Rule and Ashanti) has publicly criticized Eminem. But hip-hop entrepreneur and patriarch Russell Simmons defended the rapper, calling his apology ``sincere and forthright.'' And the accusations haven't hurt Eminem with the Grammy folks; he received several nominations this month for his song ``Lose Yourself.''

The hip-hop community's apparent reluctance to address the tape is due to the fact that The Source's motives are suspect. Everyone knows Benzino is an Eminem archnemesis and seems spurred only by the notion that having a white rapper gain widespread success is somehow bad for hip-hop. (He has called Eminem ``the rap Hitler'' and a ``culture stealer.'') Benzino and Mays claim to be concerned with exposing ``influences corrupting hip-hop,'' but there are far more serious issues - such as a lack of creativity, obsessions with wealth, and yes, ongoing anti- woman, anti-gay rhetoric - facing the community than the contents of a scratchy old tape.

Eminem has acknowledged the tape's veracity and has apologized. It's time to move on. Perhaps when The Source becomes as concerned with the state of rap music as with playing out a strange, personal vendetta with its own racist undertones, then the magazine may be more successful in exposing and ridding hip-hop of its corrupting influences.
 
May 4, 2002
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What's funny is this month's issue had the 50 most powerful people in the rap game in it. Who was number 1? Interscope/Aftermath/ Shady Records. They even put a picture of their favorite rapper right next to the pictures of Dre and Jimmy Iovine. So while they continue to bash Eminem, they keep promoting him in their magazine.
 
Feb 19, 2003
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smitdaddy said:
What's funny is this month's issue had the 50 most powerful people in the rap game in it. Who was number 1? Interscope/Aftermath/ Shady Records. They even put a picture of their favorite rapper right next to the pictures of Dre and Jimmy Iovine. So while they continue to bash Eminem, they keep promoting him in their magazine.
Not only that--they had ICE CUBE listed as #13--even after Benzino bashed him (as well as Mack 10 and WC) because they dared to make fun of Benzi's butt-buddy (Ja Rule)!

Benzino is an ugly scumbag and an impotent meatball w/ no dick.

PEACE!
 

CinG

Sicc OG
Dec 5, 2003
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#10
Its fuckin sad when muthafucka turns to racism just because he tried to bash Em and Em killed him with "Nail In The Coffin" diss. I also heard on MTV 2 that The Source is willing and ready to accept bankruptcy to retrieve video tape footage of a man from Detroit who claims he was eminem's Ex-lover.
 

NASA

Sicc OG
Feb 5, 2003
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#12
I can't stand The Source! Especially when they don't give no love for the West Coast artists. They just a buncha haters period