Oh yeah I forgot you bay motherfuckers cant even make your own original sounds - you gotta stick to the script and copy everyone elses shit...
To some degree this is true but it applies to the entire country not just the bay.
That's the fucking problem with most rap - especially bay shit - there is nothing unique about it.... All you do is make a beat that sounds just like the beat the next guy makes, then rap about fucking bitches, smoking blunts, selling dope and popping pistols....
To some degree this is true but it applies to the entire country not just the bay.
You can call me what you want but at least I'm not a dumbass that confesses my crimes on wax...And at least I'm fucking original to boot....
See above.
If I really wanted to I could make some gay ass bay bullshit, but I'm not even trying to impress fuckers with a record showing "how hard I am." Real hard motherfuckers don't need to spit "how hard" they are on wax because motherfuckers already know it so there is no reason to tell it.
See above.
That's also why you bay clowns get your asses fucked when you come to Chicago. You either come here and get your asses kicked or walk away from Chicago trying to rap all fast and shit taking our style...
Swoop, anyone can get it no matter where they go. I've been all over the country and seen this cat get bruised, this out of towner get dealt with, etc.
Now, what is your purpose for this thread? Is it for constructive criticism or for trolling? If it's for trolling then you're doing a good job. If it is for constructive criticism, feedback, networking or anything positive then you're going about it the wrong way.
I listened to the tracks, mp3 conversion issues aside there are things you should probably work on. For starters, some of the mixes are not really on point. Some of the sound choices are questionable and overall there isn't much "music" behind the tracks and when I say music I'm speaking about chord progressions, inverted chords, layering and things of that nature. In addition to this, there isn't much tension and release in most of the tracks I've heard. For the mix issues, you have to consider what the concept of the song is, what emotion you're trying to convey with the song and what the song is calling for. If these are things you're not familiar with then at the basic level you should revisit and start with the drums. I'd sub group and use an aux for the drums and then compress and eq to sound like a cohesive kit. Afterwards drop in your bass and everything else in order of importance but use your faders and panpots before you compress or eq. If you do eq, cuts are better than boosts and understanding the Q will be of help when it comes to cutting (and boosting.) Keep the stuff played on the lower cleff to the left and the stuff on the higher cleff to the right.
Now if you're trolling...then man I can't help you, the sicc goons will feast on you for a bit.